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Melanie Lynskey (New Zealand Listener, 21 January 2006)
By Sarah Barnett

After being plucked from New Plymouth Girls High in fairytale fashion, and cast as the matricidal lead in Peter Jackson's Heavenly Creatures, Melanie Lynskey, now 28, had a four-year wait before her next role. Now in the hit US sitcom Two and a Half Men as Rose, Charlie Sheen's sweet stalker, Lynskey has considerably lengthened her CV, and proven her chops where you'd least expect. Read reviews of some of the less well-received movies in which she has appeared (Coyote Ugly, Sweet Home Alabama), and you'll no doubt find the phrase, "The one exception is Lynskey..." Her most recent movies are Clint Eastwood's Flags of Our Fathers and the indie Park, both due out this year.

You wanted to be an actor from a young age, yet your discovery was almost out of the blue.
I had the whole thing planned out. I looked at what other successful actors had done, like Katie Wolfe, who was from New Plymouth, and said, "Well, there's what Katie Wolfe did. She did this, then she did this, and now she's an actor." So I had the plan there, and then it just exploded. Now, everything that has happened has not been anything like I imagined, but it's been wonderful.

How was working with Clint Eastwood?
It was amazing. I had a drink with him and two other actors one night, and he was just telling us stories for two hours, and I was sitting there thinking, "If this turns out to be the worst movie in the world, and it's an embarrassment, it'll be totally worth it to have had this time." It was so great.

Do you still find yourself in situations like that, thinking, "How did I get here?"
Oh my God! Of course. It's such a miracle. Every time I get a job – I'm such a pessimist – I just always think, "All right, I'm going to get fired."

Do you prefer movies or TV?
My whole life in acting has been doing movies, so I'm used to moving on and doing a different character after three months. So, doing this TV show has been amazing, because I really love this character and to get to stay with her and do this for such a long time – you sort of feel like you're building a history. I like that a lot.

Why is a stalker such a lovable character?
I don't know. I think it's amazing that they've done that. I think it has a lot to do with how great Charlie is - his responses are always the perfect mix of "oh my God!" and affection.

Have you had stalkers of your own?
I did a long time ago. Before this ever happened, I had a weird stalker, but he seems to have gone away.

He wasn't as adorable as Rose?
No, not at all.

Martin Sheen was a guest on the show.
It was crazy. He was playing my father, so I was supposed to be really comfortable with him, and I was so terrified. Badlands is one of my favourite movies of all time, and I was just like, "Oh my God, I can't believe - I'm not good enough to be doing this, it's too crazy!" But he said that Rose is his favourite character, so he was happy to be my dad. He was so sweet.

How's life in LA?
I really love it. I have a nice group of friends and I love my little house.

Is it a fancy TV star's house with famous neighbours and a pool?
No! All my neighbours are Mexican families, and I chose it because it looks like a little house you'd see in Grey Lynn or something. It's a little old Victorian, and it has a pohutukawa out the front - I just was like, "Oh my God, I can't believe it!" I just had my garden done with only New Zealand plants. So I have flax and ferns and all sorts of things. It's great.

Do you act as a halfway house for other Kiwi actors showing up over there with their sleeping bags?
Yes! In summer, it was like we were taking bookings for a hotel. People would call up and say, "Oh, so what's June 16th to the 21st looking like?" and I'd be like, "Well, the main room's taken, but you can have the day bed in the study."

Are you looking for projects back here?
I always am. I was thinking about doing a play back home, but it just wasn't going to work out with my schedule for other things, but I'd love it. Any excuse to come back.

Is there a chance you could work with Peter Jackson again?
I think I would have to ask. He has his choice of every actor in the universe. But obviously I would love to. He's amazing. Obviously, he's a great director. He's a good man.

You've recently made Park with Billy Baldwin.
I really loved it. It was scary because I had to be naked, and that was terrifying. It's this scene where we're nudists with other people - a girl called Annie who looks like a supermodel - so that was a little bit challenging for my self-esteem. I went to the gym so I could feel good about myself, but I feel a little bit responsible: someone's saying, "Be naked in this movie looking the way you look", so I'd rather do that so if anyone sees the movie they can think, "Okay, she can do that and she's comfortable." It's always disappointing to me when you see an actress in a movie and she's obviously starved herself, and I would like to do something more positive. But it's scary.

Do you get nervous about your family and friends watching it?
Oh, I hadn't really thought about it.

Sorry.
Somehow, I hadn't really thought about it – but, yes! Maybe I'll tell my dad not to go.

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Slice of Heaven (Sunday Star-Times, 15 August 2004)
By Megan Nicol Reed

"Always the bridesmaid, never the bride . . . " It's the story of Melanie Lynskey's decade-long career. First she got to watch from the sidelines as her Heavenly Creatures co-star Kate Winslet's career rose to Titanic-sized heights, then she got to play Drew Barrymore's ugly stepsister in the Hollywood remake of Cinderella fairytale Ever After. And in Coyote Ugly and Sweet Home Alabama, she played the small-town, homely best friend to Piper Perabo and Reese Witherspoon's sexy leads.

But the former New Plymouth girl is satisfied with her lot. In fact, she seems down-right chuffed. Her role in TV2's new sitcom Two and a Half Men, starring Charlie Sheen, means a regular pay cheque; she's recently bought a house in Los Angeles with her actor boyfriend Jimmi Simpson, who she met on the set of the Stephen King mini-series Rose Red, and the couple have got themselves a dog.

Lynskey, who has only just received a green card, auditioned for three TV shows and says she is absolutely thrilled to be doing Two and a Half Men, which by the end of its first season in the US, was being touted as America's number one comedy. How did she choose between the roles?

"Well, actually, this was the only one I got," she laughs.

Apart from playing the leading lady in the Kiwi-made road movie Snakeskin, Lynskey hasn't bagged any big roles since Peter Jackson's wife Fran Walsh discovered her as a school girl and cast her as mother-killer Pauline in Heavenly Creatures. Hollywood has been kinder to her than most and while her output hasn't been stellar, it has been consistent. But the movie business is not getting any easier, says the 27-year-old.

"I was working, but not at a level where I was being offered a lot of prime roles. The sort of roles I would have usually tried for were going to really famous actresses. I found myself losing stuff to Rene Zellweger and Cameron Diaz. It just started to feel like I wanted a part I could do more with."

Her character Rose was initially intended to be a guest-starring role, but when the show's pilot was picked up by a network, the producers asked her to stay. Rose is the "attractive, offbeat neighbour" of Charlie (played by Sheen). The pair had a brief fling and now he can't get rid of her. According to Lynskey, who despite four years in LA is refreshingly un-fabulous, Rose is a stalker.

Sheen plays an advertising jingle writer with a Malibu mansion, a flash car in the garage and an endless supply of gorgeous women in his bed. But when his neurotic brother turns up on his doorstep with his 10-year-old son after his wife decides she might be a lesbian, Charlie's playboy lifestyle is turned on its head. What follows is a predictable clash of personalities, tempered with a drizzle of cynicism (albeit American-style) and a dollop of schmaltz. The odd clever one-liner and Lynskey's quirkiness keep it watchable: Rose constantly peering through Charlie's door is the sort of running gag which endows sitcoms with cult status.

Lynskey puts the show's success down to Sheen. "I think people really love Charlie. There's an enormous amount of goodwill towards him."

And what does she think of the great star? "We get on terribly. I can't stand him."

Oh? My muck-raking ears prick up. "No, he's great. He's really quiet and shy and sweet."

Surely those stories in the gossip mags about his partying days being over aren't true? This, after all, is the man whose drug-fuelled downward spiral was rivalled only by Robert Downey jnr's[sic] excess.

"I didn't know what to expect. They say people are reformed, but are they ever? But no, he's totally into his wife and baby."

Lynskey, who answers the phone with a certified American drawl but veers towards a Kiwi twang over the course of our conversation, says she tries to get home on a regular basis. But coming from the anonymity of LA, these days home can feel a little bit weird.

"People stare at me and I think there must be something wrong with how I'm dressed."

She had always imagined if she bought a house it would be in Wellington, but when she found the house of her dreams, a little old Victorian place, she couldn't resist. In an area of LA called Echo Park, it sounds more quaint than flash. To the whir of a police helicopter flying overhead, Lynskey describes it as being "in the 'hood.' " On her way inside to escape the noise, she knocks over an empty wine bottle.

It's a long way from New Plymouth.

"I think if somebody had come up to me then and told me this is what your life is going to be like, I never would have believed them."

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'Two and a Half Men' Are Plenty for Lynskey
By Jay Bobbin

The focus is on the fellows on Two and a Half Men, but women often are around, too.

One of the most consistent is charmingly obsessed neighbor Rose, played by Melanie Lynskey on the Monday-night CBS sitcom, the latest People's Choice Award winner for favorite new comedy series.

Rose's brief liaison with committed bachelor Charlie (Charlie Sheen) was much more to her, which is why she turns up continually at the house he shares with his divorced brother, Alan (Jon Cryer), and Alan's young son, Jake (Angus T. Jones). Ever an optimist, Rose hopes for another chance with Charlie; she doesn't even mind him using her as a convenient decoy to ward off other women.

Rose has yet another rival for Charlie's attention coming in May, as Heather Locklear (formerly Sheen's leading lady on Spin City) guest stars as Alan's attorney. She spends a night with Charlie, then wants him at her beck and call. It's an arrangement Charlie chafes under, leaving Alan worried about the possible impact the situation may have on him and Jake.

After making a big splash a decade ago in her first movie, the critically praised Heavenly Creatures (which also gave Kate Winslet international prominence), New Zealand native Lynskey worked steadily in movies from Ever After and Coyote Ugly to Sweet Home Alabama and Shattered Glass. She says she began considering U.S. TV series work last year because "on a practical level, I'd just gotten my green card. Before that, the time between being cast for a show and starting work on it was too quick to even get a work visa, so doing a TV show wasn't even an option.

"When I finally got my green card, I thought, 'Well, maybe I'll just see what's happening.' Last pilot season, I read some scripts but didn't go out for anything until I read Two and a Half Men. It made me laugh, and it was kind of perfect at the time because Rose was just a guest-starring role. There was no commitment whatsoever, so I thought it would be fun to go in and play this crazy woman once. It also would give me a taste of what it was like to do a sitcom. Then, when the show got picked up, the part was well-received and the producers asked me to be a regular."

Their plan to make Rose more than a one-note joke has worked, much to Lynskey's relief. "I've been getting a lot of fan mail," she says, "so people seem to be responding. Sometimes, I'll read one of the scripts and wonder, 'Is this more creepy than funny?' In one show, Charlie wakes up in the middle of the night and I'm in bed with him. If that happened to me, I would be horrified. Chuck [Lorre, co-creator and co-executive producer of the series] always tells me, 'Just play it really sweet and as if you're completely right. Then no one can blame you.'"

Indeed, Lynskey evokes a sweet demeanor on Two and a Half Men, matched with a lilting voice not far removed from Megan Mullally's on Will & Grace. Lynskey's American accent on the show belies her overseas roots, which are evident in regular conversation with her. She reveals Sheen didn't realize her background until they were making the show's second episode: "He turned around and said, 'What's this, uh, voice? What are you doing?' I said, 'I'm just talking.' Then he said, 'Hmmm. Is that some kind of actor-y thing?'"

Lynskey still enjoys being with Sheen, Cryer and the other series regulars as much as she did at first. "I can remember thinking while we were making the pilot, 'It can be this easy?' They don't have any egos, and it was just fun. I thought it would be a nice place to be." It's also a highly successful place, since Two and a Half Men is this season's third-highest-rated comedy (right behind its lead-in, Everybody Loves Raymond, with Friends topping the list). "It seems funny to me that it's all worked so well," Lynskey says. "I have so much respect for the people who do this. It's so hard to keep the energy up and to make people laugh."

Peter Jackson, the fellow New Zealander who directed the Lord of the Rings trilogy, gave Lynskey her big break by casting her as a murder-minded girl in Heavenly Creatures. She reflects, "I don't know what I would be doing today otherwise. I always wanted to be an actress, but to be in Heavenly Creatures at the age of 15 literally changed my life. It took a long time to get other jobs, because the character I played in that movie isn't someone you'd look at and automatically think, 'I can imagine her in my movie.'

"Also, I had no idea how to navigate Hollywood or the acting profession or anything like that. I finished high school and went to university and figured I'd come back and have another look later."

With that taken care of, Lynskey still retains solid connections from her earlier days. "Everyone who won Oscars for The Lord of the Rings: The Return of the King also worked on Heavenly Creatures," she reports. "I was crying my eyes out that night."

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CBS Interview for Two and a Half Men

"Gosh, it's all so much fun. Um, I like how I just appear sometimes on the deck. But it's really cold out on the decks--they have wind machines that make it look like the trees are blowing, but I--It's fun, and I also like that I seem to be becoming more of a normal person rather than this stalker all the time....

"Because she's so different from me it's fun to play. 'Cause she's so sort of energetic. She's this rich girl from Malibu, and she just is completely clueless about, like, you know, the way she's so intense, and I'm not really at all. I'm kind of laid back, so it's really fun to come to work and really be, like, all dancing around....

"It's lovely. He's so great. He's so generous and funny and kind and just works so hard my god it's amazing, and he's so funny on the show as well....

"Charlie Sheen plays a free-wheeling bachelor who lives on the beach in Malibu, and his straitlaced brother moves in with him and brings his little boy along, and they all try to live together. And then I guess there are these three women who sort of come in and out of their lives--and that's the brother John Cryer's ex-wife and me and Holland, who's their mother. Well, my character's a maniac, stalking Charlie. She's not really. She's just a bit misguided. I think she thinks she's met the man of her dreams, so she's just going to go after him, but she's a sweet girl, I think."

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Melanie Lynskey: Finding Her Place (Staples, Oct/Nov, 2003)
by Gemma Gracewood

Days before an early morning conversation with Melanie Lynskey, I caught a Sky Movies screening of Heavenly Creatures. I hadn't watched it in years, preparing for this interview instead by renting the laughable Coyote Ugly, the odd Sweet Home Alabama, and the '70s teen romp Detroit Rock City.

But as I flicked randomly through channels, there they were: Lynskey and Winslet. Parker and Hulme. Still two of the most incredible, compelling debut performances in film. Lynskey's Pauline Parker is pouty, determined, at times downright scary. Dark shadows appear beneath her eyes as quickly as a rosy glow across her cheeks vanishes. She switches from hysteria to calculating stillness in seconds. She's gorgeous, she's ugly, passionate and brutal. She's a 16-year-old murderer, after all, and Lynskey played it perfectly.

She deserves to be what she is: one of New Zealand's most internationally successful actors. In the decade since her Heavenly Creatures debut, she has played side-kick, saucy temptress, ugly sister, wacko library girl, quirky cop and best friend alongside such Hollywood recognisables as Drew Barrymore, Reese Witherspoon, Katie Holmes and that girl from Coyote Ugly. In fifteen films, she's made out in a church confessional, murdered her mother, met cowboy violence on South Island back-roads and perfected a New Jersey accent. And she has infused each role with her dark-eyed beauty, eccentric humour and minxy intelligence.

Right now, Lynskey is ensconced in her first full-time job, the television sitcom Two and a Half Men. I[n] it, Charlie Sheen plays Charlie Harper, a self-absorbed bachelor and advertising jingle-writer, whose life is upturned when his soon-to-be-divorced younger brother Alan (played by Jon Cryer, Pretty in Pink's superb Ducky) moves in with his ten-year-old son. This is big news: not only is Melanie acting alongside two of the best of the 1980s teen-movie genration (who could forget Charlie Sheen's pash with Jennifer Grey in Ferris Bueller's Day Off?), the sitcom is also one of the most heavily promoted releases on the CBS network's fall schedule.

Lynskey plays Charlie Sheen's ex-girlfriend in the new sitcom. She has a gorgeous wardrobe and a slew of hilarious lines as her "beautiful but unstable" character refuses to believe she and Charlie have broken up. "He can't get rid of her," Lynskey laughs. "In the first episode, she's trying to get into his house. She gets in a wanders around it, trying on his clothes. She's crazy. I laughed so much when I read the script. I mean, it's a sitcom so it's gotta be funny, but they're not always, are they? This one is funny."

It's very early on a mid-winter morning in Wellington and I'm sitting next to the heater with a fresh pot of tea. Miles away at midday, Melanie Lynskey is releaxing at home in the year-round warmth of Los Angeles, explaining how she finally made her break into full-time television. Until now, she'd been working in the United States on a performer's visa, so her small screen work was limited to a Stephen King mini-series and a few episodes of The Shield. Finally, her Green Card came through, meaning she could enter the annual television "pilot season"--the best chance an actor has of landing a decent role in a new TV series. And on her first pilot season, she landed one.

Film is still a priority thought. She'll soon be onscreen in Shattered Glass, with a to-die-for cast that includes Hayden "Anakin" Christensen, Peter Sarsgaard, Chloe Sevigny and Hank Azaria. It tells the true story of Stephen Glass (Christensen), a prolific and popular young Washington[,] DC reporter who excelled in writing flashy pieces for prestigious publications such as The New Republic, George, Rolling Stone and Harpers.

Based on Buzz Bissinger's Vanity Fair article, the film explores how Glass managed to fool everyone around him--it is belived that he made up 27 of the 41 articles he wrote for the New Republic, not to mention several of his freelance pieces for those other magazines.

Lynsky[sic] plays Glass' envious, hard-working office mate, who excels at writing dry policy pieces. "To prepare for the character, the director asked me to research and write an article about farm subsidies, which was really fun! I'm proud of myslef[sic] for finding out about farm subsidies! It wasn't a great article, but you get the idea of my character. She's great friends with Hayden's character, but she's jealous of him. She wasn't to be the one writing the glossy articles."

Shattered Glass is a timely film, given the recent trouble that other American publications--including the venerable and venerated New York Times--have had with writers fabricating stories. In a clever piece of casting, the Times' most recent embarrassment, Jayson Blair, is reportedly reviewing Shattered Glass for Esquire. And Stephen Glass? He has completed a law degree and written a "fictional novel" about a young reporter who, ahem, invented most of his stories.

It seems you can't do anything wrong in the States, and if you do, it is possible to use it to your advantage, to reinvent yourself and get back on that celebrity horse. It's a second-chance kinda nation, and in a roudabout way, Melanie Lynskey has benefited from that come-back attitude.

She was discovered just weeks before principal shooting began on Heavenly Creatures, during screenwriter Fran Walsh's epic search through lower-North Island classrooms for a Pauline Parker to play opposite Kate Winslet's Juliet Hulme. The rapid critical and Oscar-nominated success of Heavenly Creatures saw Lynskey set her sights higher than the stage career in Wellington she'd been preparing for. But it wasn't a snap.

Much has been written about her first venture to Hollywood. About how Kate Winslet went from strength to strength while Lynskey faced a townful of young, confident, competitive beauties and high-tailed it home after just six weeks, enrolling at university and dealing with a growing depression, whereupon drector Gaylene Preston got a hold of her and told her to do what she needed to do to make herself a stronger person, and get back out there again. Which she did, landing a role as the not-so-ugly stepsister to Drew Barrymore's Cinderella in Ever After.

But in those glossy articles, it sounds too easy. I want the details, I ask Lynskey. On a practical level, how does one go about sorting oneself out?

It wa[s]n't easy, she acknowledges. "The thing is, you can't say to somebody who is depressed, 'snap out of it'. It's easy to feel very overwhelmed and unable to deal with the smallest thing. Everything seems daunting. So Gaylene just told me 'write a list of eveytthing you think is stopping you'. And I did. It was jsut[sic] incredible. And then she said to work through each of those things one by one. And I did."

To actually write the list and tick each item off--get fit, take voice lessons and so on--was both Lynskey's challenge and her triumph. She still reminds herself of that list, every day. "I am obsessive about writing lists! I'm always making lists of goals and never feel like I've done enough. My boyfriend is always telling me that I have, he's always telling me to appreciate what I've done."

That's not to say that the depression has permanently lifted. It revisited her in force more recently, leading Lynskey to do a whole heap of work on learning not to be so hard on herself, learning to be happy with what she's got. She's reluctant to reveal to a New Zealand audience that her healing process has involved sessions with a holistic doctor, because it "sounds so LA".

"I feel so embarrassed. I sound like such a flake! I fel tlike[sic] it was so wanky and self-obsessed of me .But[sic] I was depressed and crying all the time, just feeling really sad. You know, when you're depressed, you really need a lot of energy to even get out of bed in the morning. It's horrible.

"Actually making the appointment with him was more important than the actual session. It was me making the decision with myself, like, okay I wanna do something."

The doctor discussed diet issues with her. She has cut out sugar and white flour, doesn't drink coffee, and doesn't drink alcohol--except for wine. He gave her some acupuncture and "weird light therapy".[sic] She's not sure if that worked, "but he gave me some very good advice. Whenever I feel like I'm starting to get depressed, he has given me some things to use, so that it doesn't feel like an unstoppable force coming down on me. I can control it now.

"A lot of the emotional stuff can freak you out, but you want to hold on to it, you want to protect it because it's part of your art and part of who you are. I know for myself, I've had horrible problems with depression, I've had al kinds of emotional issues. And I've thought 'you can use this'. But then sometimes you just have to let go of the art. You realise you're playing the 'best friend' in some Hollywood movie, so there's no need to torture yourself!

"I think I understand that feeling because now I'm really truly happy for the first time in ten years. I just don't want all that drama all the time. It's so funny to be happy all the time. It's crazy. I wake up, and want to be awake!"

Home is a one-bedroom apartment near Hollywood Boulevard, in a Los Angeles neighborhood [t]hat's moving quickly from run-down to cool. She shares the places with Mouse--her chihuahua-dachshund cross--and her "beautiful" boyfriend Jimmi Simpson, also an actor. They met on the set of the aforementioned Stephen King min[i]-series, Rose Red. He's a quirky fellow who has also featured in Amy Heckerling's film Loser and episodes of the Keifer Sutherland series 24.

Lynskey has filled their apartment with New Zealand art, mainly from her other home, Taranaki. She ahs works by assemblage artist Dale Copeland, including a piece involving sardines and a handkerchief. She has beautiful works by New Plymouth artist and friend Sarah Sampson, a glitterly, velveteen map of New Zealand, and stacks of New Zealand music.

The Spanish-style apartment building with polished floors is ten thousand miles away from the tall, wooden Wellington villa that she dreams of one day owning, but it's home.

She guiltily confesses that the feeling of having two lives--one in New Zealand, another in the States--is starting to dissipate. "On my last trip home to New Zealand, I felt like I was missing 'home'! It sounds disloyal to say, but its because my boyfriend is here, my dog, my work is here, a lot of my friends are here.

"All my friends used to live in Wellington. Now they are all over New Zealand and the world. I think when there used to be that group, I felt like I was part of it. That I was the one thing missing from that place."

Years in Los Angeles have also helped her to fit in, to learn to speak American. It's not a case of having the right accent. Rather, it's a way of speaking with a purpose. "Americans are so competitive. When I first got here I was meek and shy and you have to be forceful." Not just at auditions, but in everyday life. Dinner party conversation in America may as well be an Olympic event. "So often in conversation, people have prepared stories," Lynskey laughs. "It's kind of like on American talkshows--they have a set format, and set anecdotes. It feels so artificial to me."

Though she has found that she is more independent than she ever thought she would be in Los Angeles, she also observes having lost a certain way of life. "When I was living in Wellington, people are just so relaxed there. You can walk around everywhere, make improm[p]tu plans, people call you from restaurants to say 'come on down'. It's so relaxed. You can see people all the time and have very accessible friendships. Here, you have to make a lunch date with one of your closest friends for the following week. People don't pop over or drop in."

She has introduced a bit of her Wellington way of life to her LA friends, though. "Now that I've been out here a while, I think because I'm more relaxed about things, I have friends calling to see if they can pop round--but even then they call ahead to say 'Is it still okay if I drop by?'!"

And New Zealand drops by. One of her four siblings has just been through for a ten-day visit--she entertained him by sending him to see friends of hers who were staying in flash hotels so that he could check out the fancy swimming pools. And Goodshirt passes through on their way to the South by Southwest music festival in Austin, Texas earlier this year. "Passing through" is a bit of a misnomer: the entire band, plus manager and roadie, spent a week in her one-bedroom apartment. It's jsut[sic] as well Melanie, Jimmi and their friends are such huge fans.

"[Lead singer] Rodney Fisher has beenone of my best friends since we were ten when he gave me a sample vial of perfume from his mother's pharmacy. I'm so proud of them, they're doing really well. Rodney sent me and my boyfriend the demo songs from their next album, and its the best CD I've heard in my life." You heard it here first.

Lynskey usually stocks up on New Zealand music and art on her visits home. She thinks a best friend's wedding on Waiheke Island will be her next chance to catch up on the latest music, and she asks what's good at the moment. I recommend a few local websites where she can not only listen to the latest sounds from home, but buy them too. "Can you do that?!" Later, she emails to say that she sapent all night on Smokecds.com--"I don't know how I ever lived without it!"

Being a full-time CBS employee provides a good income for an actress used to doing one or two movies per year. Is she squirrelling it away or drinking champagne? A bit of both. "I go out for dinner a lot. I buy a lot of shoes. I mean, I live in a one bedroom apartment, I can't think about buying a house in LA, but I put money away so that one day I could buy a house in Wellington."

Which reminds me of a story in the Evening Post a few years back: "Heavenly Creature wants Wellington house". An odd little story, which didn't find much out. Yes, she wanted to buy a house, but couldn't afford one. Yes, she had been dating a Wellington man, but declined to name him.

"I know. There was this one period where I was home for a while and there was an article about me every week. It's so weird! My god! The things they were writing about me. There was this one time when I was 'sighted' in a restaurant with my 'new beau', apparently, and his glass of wine blew over the people next to us, and I was like "Oh my god, I'm sorry", and then it's in the newspaper?"

She recalls there was a fascination with exposing who her boyfriend was. They named one Wellingtonian, but alas for the media, that relationship was already over. They called another ex-boyfriend, Scarfies director Robert Sarkies. "They were like 'You're the boyfriend!' And he was like 'No! Too late!' Robert loves stuff like that, like he was playing a game with them. And he called me up and said 'They've found me! They think it's me!' Oh my god, how ridiculous. Why me?"

But it's the only time she's really been bothered by the media--New Zealand or otherwise--and she was more embarrassed than annoyed. The internet is different, of course. She has her fan-sites, mostly deferential. "My dad went and did a Google search on me once and said 'Oh, you know Mel, there are some, um, websites claiming to have, um, naked pictures of you. And I checked them out, and they're not. I thought you'd like to know that."

This low key fandom-at-a-distance may change. Word on the street is that Two and a Half Men could be big. With many of the long-running shows--ER, Friends, The West Wing--coming to an end, networks are desparate[sic] to get new shows off the ground. And television, being more accessible, creates seemingly more accessible stars. But Lynskey doesn't appear to have a palpable lust for fame, more a sense that this is her job and she's going to make the best run of it, for as long as she can.

She will have some time off to make films, and she's always keen to work in New Zealand. The girsl[sic] whose dream once extended only as far as Wellington's theatre scene would love to be invited down to do a play (although the thought of being on stage is secretly "terrifying").

Occassionally she puts pen to paper. "I used to write poetry a lot, but I haven't written any for a while because I'm too happy! It's like there's nothing to talk about. My boyfriend is amazing, my dog is beautiful, I"m working."

For now, Melanie Lynskey is relishing being that more satisfying of things--a full-time actor.

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Melanie Lynskey as part of E! Online's "Sizzlin' 16" of 2003

Melanie Lynskey is suffering from a little crisis of confidence.

"If I ever have time off and don't know what's coming up next, I get really nervous and think, Oh well, it's probably over."

We doubt it.

Ever since arriving in the States two years ago, the native New Zealander has been working nonstop. Lynskey played Drew Barrymore's not-so-evil stepsister in Ever After, screamed her way through the Stephen King miniseries Rose Red, creeped out Katie Holmes in Abandon and helped Reese Witherspoon reconnect with her southern roots in Sweet Home Alabama.

While still in high school, Lynskey was plucked from drama class to audition for Peter Jackson's indie feature Heavenly Creatures. She won raves for her performance as a teen who schemes to kill her mother. And while the naturally shy Lynskey enjoyed playing such a dark character, she has selected a variety of roles since.

"I always try to do something really different from the last thing. After Abandon, where I was this creepy girl, I just wanted to play someone happy, and then Sweet Home Alabama came along, which was perfect."

Lynskey currently appears in the indie drama Snakeskin, which follows a free-spirited young woman on a road trip across New Zealand. Next up, she guest stars on The Shield as a seemingly quiet woman involved in some friendly neighborhood torture rituals. And this fall, she costars--alongside former Sizzler Hayden Christensen--in Shattered Glass, as a reporter jealous of her dishonest colleague's success.

But even as her Glass character longs for fame, Lynskey remains grounded. "I always thought I'd be in New Zealand doing theater. Everything I've done is greater than my greatest dreams."
--Rhonda Richford

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Melanie Lynskey: On the Verge
by David Beebe

Memo to Hollywood: Get ready to witness Melanie Lynskey’s transition from an up-and-comer to a bona-fide star. The 25-year-old actress is about to pop, big time, like that last kernel in the popper. Ms. Lynskey brings an impressive resume as well, filled with big names, movies, and television credits, plus she’s got an accent to die for. To top it all off, she’s smart, beautiful, funny, and carries herself as a squared-away normal girl who has a job she truly loves.

Born in New Plymouth, New Zealand, Lynskey always knew she wanted to be an actress and could never imagine herself doing anything else that would make her as happy. In high school she performed in plays and studied acting. She was planning to continue her education at college, then go on to theater, and then work her way up the ladder from there. But, unbeknownst to her, there was a different plan afoot. Realizing every actor’s dream, Lynskey was hand-picked in high school by Frances Walsh and Peter Jackson to play the lead in Heavenly Creatures. But in spite of giving a critically acclaimed performance, Lynskey’s film career didn’t get off the ground until three years later, when she re-emerged in the 1998 re-telling of the Cinderella story, Ever After. Since then, she’s been working non-stop and has managed to show her wide range of acting skills by taking on completely different roles in every project.

Included among her credits are Detroit Rock City (1999), But I’m a Cheerleader (1999), Coyote Ugly (2000), Snakeskin (2001), and Stephen King’s TV mini-series Rose Red (2002). This month, Lynskey can be seen on the big screen again in two completely different parts: in the dramatic thriller Abandon as the mousy library assistant with a secret to tell; and as a good ol’ country girl in the romantic comedy Sweet Home Alabama. She also just finished filming Shattered Glass, the true story of fraudulent Washington, D.C. journalist Stephen Glass.

During a well deserved break, Lynskey sat down with Venice Magazine to talk about her career so far, what she thinks about Hollywood, and the best advice she’s ever received.

Venice: Congratulations on your role in Sweet Home Alabama. Are you starting to get recognized as that “girl in the bar with a baby?”
Yeah, I guess. It’s happening a lot lately because the trailer has been on television fifty times a day showing me holding a baby in the bar. I feel very awkward when I get recognized. I’m not comfortable with it yet.

Have you had interesting run-ins with fans yet?
The funniest thing that happened is when I was in Montreal and this girl came up to me and said, “Has anyone ever told you that you look like Melanie Lynskey? She was in so and so movies.’ It’s such a weird experience to be recognized sometimes. Most people think they know you somehow, went to school with you, or that I’m a friend of someone they know.

You’re originally from New Zealand. Is the ‘celebrity’ thing big there?
There really isn’t much of a ‘celebrity’ concept there. People are famous, but no one is really bothered by it. People just live their lives there.

What’s the acting community like there?
I love New Zealand so much but there’s nowhere to go as an actor. There’s no sense of working up to something. The most famous actors in New Zealand do movies, television, theater, and commercials. There’s just not enough work to be an established film actor.

What’s been your observation of American actors?
Well, young American actors are very strange. There seems to be a lot of people who have grown up believing or just knowing that they would be acting for a living compared to those that can’t believe that they’re actually doing it. I still can’t believe that I’ve done everything I’ve done. People always want to be Jennifer Lopez or superstars. I’ve never had a ‘this is where I want to be’ sort of plan. I just feel lucky every time I work.

What was it like working with Reese Witherspoon in Sweet Home Alabama?
She amazes me. Between takes when everyone is just sort of hanging around she’s always reading a book, talking to her daughter, or on the phone organizing something. There’s not a moment of the day that she’s not doing anything. She’s like superwoman.

Abandon is also coming out this month. What was that like for you?
Oh, it was fun. I haven’t seen it yet though. I had a lot of scenes with Katie Holmes where I’m sneaking up on her in the library.

What was it like working with Katie and Charlie Hunnam?
Katie was a sweetheart. She’s really great. I didn’t have any scenes with Charlie, so I never actually met him on the set, but I finally did meet him about a year and a half later.

Tell us about Snakeskin, another movie you did.
It’s my favorite movie I’ve done. I was doing Coyote Ugly when I got sent the script. It was the movie of my dreams. It’s this very dark movie, set in New Zealand, and I play this girl who is very confident. It was the type of role that no one expected me to play. So it was the perfect thing to do.

Before Snakeskin, you were in But I’m a Cheerleader in a completely different type of role. How did that come to you?
It just sort of randomly happened. I worked with Natasha Lyonne in Detroit Rock City and she was doing But I’m a Cheerleader. She said I should be in the movie with her and I ended up getting the part so I worked with Natasha twice in a row which was amazing. She is great.

Your first role was in Heavenly Creatures while you were still in high school. What was that like?
Making that movie was great. They actually auditioned lots of people for my role but just didn’t feel comfortable with any of them. So a few weeks before they started filming, they scouted for actors and they came to my high school. Since I was always doing plays, I auditioned for it. Peter Jackson and Kate Winslet were so good to me.

You just finished filming Shattered Glass. What can you share about that?
It’s this independent movie and Hayden Christensen plays a reporter who works for the New Republic magazine. I’m not sure what I’m allowed to say about it. It’s a true story anyway.

What was it like working with Hayden?
He’s very sweet. I think he’s amazing in it. I’d never seen him in anything. I just saw Life as a House the other day. He’s very committed, very good, and I was really impressed. There are lots of good people in it.

You also did a television mini-series as well.
Yes, I did Stephen King’s Rose Red. It was fun. I met my boyfriend there. He’s a sweetheart. I don’t know how to drive so he had to bring me to this interview. I really have to learn how to drive. I feel so guilty having him drive me everywhere.

Have you ever driven?
Well, Snakeskin was a road movie and I waited until they offered it to me to tell them that I didn’t know how to drive. So I had to have some driving lessons. I just have a terrible phobia about it.

Would you want to do more television work?
Yes, if it was a good show. If it was Six Feet Under, life would be complete. I love that show.

How do you choose what projects you want to be involved with?
When I read a script, I just get a feeling from it. I don’t have that much freedom in my career, but the little bit that I do have, I usually choose things as a reaction to each [project]. If I do something dramatic, then I’ll want to do a comedy after.

Is your family in New Zealand?
Yes, they are. I have three little brothers and one little sister.

What do your siblings think of your acting career?
My little sister is very proud of me. She and her friends watch the movies and talk about them. My brothers are just ‘whatever’ about it. If I can introduce them to some hot New Zealand soap opera actresses, then they’re happy.

What’s the best piece of advice you’ve gotten about your acting career?
I was 17 in New Zealand when my talent manager found me. She said, “If there is anything else you can imagine being happy doing, you should do it.” I feel like that is really good advice. I feel that you really have to want to be an actor to do it. People who get into it just to be a movie star won’t be happy. You have to really love the work.

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Interview was found in Lynskey Admiration Website

It's not often that you get to interview one of your idols. So when Melanie Lynskey agreed to do this interview, I couldn't believe my luck. The following questions were composed by myself and fans at the Yahoo! Melanie Lynskey fanclubs.

From The Fans - an interview with Melanie Lynskey - 18/10/01

You recently worked on the film Abandon. Did you have a good working relationship with your co-stars?
Yes, I did. I wasn't working many days, though, so I didn't get to know anyone that well. I did know Zooey Deschanel because I worked on Rose Red with h[er] sister Emily, who became one of my dearest friends. My only scenes were with Katie Holmes and Benjamin Bratt. But the thing is, I kind of get into character on set, I can't really help it, and I was playing this incredibly shy, kind of creepy librarian, so I think Kate Holmes, who was very nice and very normal, maybe thought that I was a bit of a freak! I never really got to explain that I was acting. But I love, love, love, the director, Steven Gaghan. He's just the smartest, funniest, coolest man ever. He gave me Terrence Malick DVDs for a wrap present, and he's putting together the best soundtrack, which he said he loved doing cause it was like 'making a mix tape'.[sic] I want to work with him a million times over.

You have described your role in Stephen King's mini-series Rose Red as 'boring' and 'unchallenging'. Why is this, and would you consider playing such a role again?
Oh! I sound awful! I didn't mean to sound so ungrateful. Umm... it's hard to explain. I've always played kind of character-y roles; partly because those are the ones that interest me the most, and partly because a lot of people don't really see me as 'the girl',[sic] who's sweet and pretty and gets the guy. I guess I kind of played a character like that in Detroit Rock City, but there was a lot of comedy in that, so it was very easy to play and a lot of fun. The thing I liked about Rose Red was that they wanted me to play 'that girl'.[sic] And I love to do things I've never done before, and I think that's a good way to choose role; it's never going to make me famous, but I'll have an interesting career, which is so much more exciting, to me. The char[a]cter I played (Rachel) was not all that interesting. I wasn't allowed to do anything quirky, or to have an interesting accent. So the challenge lay in making her as interesting as I could without making her unusual. And that was hard! And[,] yes, boring at times. But, you know, I had the best time on that job. I made great friends. And I'm so glad that I did the show.

Prior to Heavenly Creatures, Peter Jacskon[sic] was known only for his horror/splatter comedies. Were you or your parents concerned that you were going to work with New Zealand's gore-meister?
I'd never seen any of his movies! I'd heard of him. But[,] no, I wasn't worried. I was just so excited. And I was only 15, so I hadn't even read a screenplay before, but when I read Heavenly Creatures, I just thought My God... this is astonishing. I knew from the start it was something special. And I told my parents that I loved it, and they talked to Fran Walsh, and to Peter, as well as Jim Booth and his partner Sue Rogers, and so they understood I'd be in very good hands. I don't think either of them even read the script before I went to go shoot. They trusted my judgement.

Do you keep in touch with any of the cast or crew from Heavenly Creatures
Well, I'm the only person from the cast and crew who lives in Los Angeles, so we have to rely on running into each other, or having little get-togethers, whenever anyone's in the same country. I'm not in constant contact with anyone, but we do catch up when we can, and it's lovely. I saw Sarah Peirse at Cannes, which was great. She's an incredible woman, just amazing. She and I are both nominated for Best Actress at this year's NZ Film Awards, which is pretty cool. (Her nomination is for the incredible film Rain). I also see Jed Brophy (John the boarder) all the time in Wellington. We stand on the street and have conversations that last two hours. I see some crew members a lot. I ran into Kate a couple of months ago at a restaurant here. It was, and always is, great to see her.

I read once that you were a 'Drama Captain' at school. Was it always your ambition to be an actress?
Yes, an actress or a writer. Or both. I write quite a lot (poems and short stories), but I get a bit scared to show them to people. I had a couple published in little literary magazines when I was at university. And I've just written a short story about Boyd Kestner for Pavement magazine. I'm also meant to be writing a screenplay with my ex-boyfriend, who's an amazing writer, but it must be very frustrating for him because he has all the good story ideas and I'm like, "then have Emily pop up as another character!" Also, he's in New Zealand, so that makes it difficult. I'm working on some other things myself. But, you know, I'm very lucky; I'm living one of my dreams, and how many people get to do that? I still can't believe it when I'm actually on a movie set. I keep thinking that at any minute someone's going to come in and throw me off it!

Are you interested in the other aspects of filmmaking, such as scriptwriting, directing, or even the technical stuff like editing, cinematography, etc.?
I want my friend Clare to direct one of the things I'm trying to write. And other people to direct others. I'd like to direct a short, but not a feature. And then I'd like to be involved in the editing and camerawork - involved, not completely responsible for it!

If you could work with any director, living or dead, who would you choose and why?
Oh that's hard. Probably David Lynch. I just love his films. Acting in one would be amazing... I love how his actors have to react so naturally to such bizzare things. His films take place in such a weird realm, this strange world that exists only in his films... it's part America; the most normal America and yet the weirdest America you've ever seen... but it's connected to this other place... this dreamlike, strange, incredible world... and I think that would be such an amazing place to be in.

I've heard you don't drive. Is it hard getting around LA without a car?
It's terrible! I've promised my manager I'll learn before the end of the year. I'm just terrified of driving. I mean, I'd never choose to be in control of heavy machinery! It just doesn't seem natural.

Having lived in America for several years, do you feel you have become slighly more '[A]merican' in the way you talk?
Not really. I still have my accent. Of course, people at home are always saying I have an American accent, but they're crazy. I do live around a lot of Texans, though, so I find it hard to stop myself from saying things like 'y'all' and 'anyways'.

Are you a fan of The Simpsons? If so, who is your favourite character and why?
I love The Simpsons, but one day, my friend and I had this ridiculous Simpsons video marathon, which went on for hours and hours, and I think I just got enough of The Simpsons that day. Enough to last a lifetime! But my favourite character is that criminal, the one who's always escaping and has that weird, drawly kind of stoner voice. I also love the mean kid who goes "haah-haah!"

What is the best and worst film(s) you have ever seen?
Well, my favourite films are Mike Leigh's Naked and Noah Baumbach's Kicking and Screaming. Breaking the Waves is also one of the best films I have ever seen. I love The Double Life Of Veronique, Badlands, Festen, and the French film La Ceremonie. I have weird taste, though. I just got Dude, Where's My Car? on DVD and I also own a trilogy of Adam Sandler movies. My favourite comedies, though, are Wet Hot American Summer and Waiting For Guffman. And the worst? Well, Showgirls has to be one of the worst movies I've seen, but also quite funny! I've only ever walked out of two movies: The Whole Nine Yards, and one other which I can't name, cause it was a little indie and I feel bad, but God was it awful!

Do you always have to audition for a part in a film? Have you ever been offered a role on the spot?
I get offered stuff. It's not normally good stuff, though. Teen movies, horror movies. I've never done one. I was offered Cheerleader, and Shooters, of course. Also Foreign Correspondents. Quite often I get offered tiny parts in good movies. I have been offered good parts in good movies but I've felt like I've played the same kind of role before (that's usually why they offer the role to you), so I just say no. Sometimes you get asked to do two things at once and have to choose, which is hard.

What has been your favourite role to date?
Alice in Snakeskin. She was just wild and complicated and so much fun to play. She goes on an amazing journey in the film. I loved that role. I also loved playing Mousie Julie in Abandon; it was so well written, an amazing oppurtunity.

If you were stranded on a desert island what five things would you take and why?
That's so hard! Can I take people? I would take Conor Oberst. Or my best friend Dwight; we'd fight like crazy, but at least we wouldn't be bored! I would also take my old suitcase which is full of old love letters and letters from friends and family. They're such beautiful mementoes, so precious. I'd also take this box I have at my Mum's house which is full of books (cheating, I know). Would CDs and player...no, that's two things, plus the batteries, I guess. Well, if I could take CDs I would definitely bring the CD from the Yahoo Fanclub people...I love it, thankyou, you guys. I listen to it all the time. I'd take the biggest photo album I have, and some Ready Salted Extra Crunchy Kettle Fries. Could I take a big case of them? I guess no-one's ever going to see me again, so it won't matter if I get really fat.

What are your hopes for the future? Where do you see yourself in ten years' time?
I'd like to be healthy, happy, in love, living in a tall wooden house in Wellington with 3 dogs called Inspector, Foxy Lady and The Worst Dog...a good career doing work I love in interesting places with interesting people. I don't want to be really famous, but I'd like to be able to live where I want and have people bring me over to work. Mostly, I'd like to be living in a peaceful world, where people felt safe and free. I'd like to have some children. But I wouldn't want to bring them into an unsafe, unhappy world.

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Kiwi actress's whirlwind homecoming

28 July 2001

By Martin Kay

It's been a tough couple of weeks for Kiwi actress Melanie Lynskey, but she still found time for a smile and a chat with a trio of schoolgirls who stumbled across her in Cuba Mall yesterday.

Lynskey, in Wellington for the city's premiere of her latest New Zealand film, Snakeskin, at the Embassy Theatre, was reflecting on the whirlwind of interviews and appearances that has marked her visit when the girls shyly approached.

"You were in Coyote Ugly, eh?", said one.

"Yes I was", said Lynskey.

Lynskey, who made her name in Heavenly Creatures, by Wellington director Peter Jackson, and has since starred in several New Zealand and American films, has been in hot demand.

In a 2-1/2-day stint in Auckland she did 36 interviews and was more than a bit jaded yesterday. She's heard all the questions before, though she's thrown when asked, in a desperate bid for originality, who her favourite All Black is.

"I haven't been asked that before," she admits. "I wouldn't even know – I don't know who any of them are."

On more familiar ground, Lynskey, 24, mused that though life in Los Angeles was okay, in her heart of hearts she wanted to live in Wellington.

But the problem is, though it's her "favourite city in the world", there's not enough work here to keep her going.

Sure, the film industry is booming, "but you can't be in everything that's made".[sic]

Being a Hollywood star's not all it's cracked up to be either. In fact, Lynskey cringes at the term.

"I don't think I'll ever be a movie star," she said. She just wants to make movies and visit her parents in New Plymouth before returning home – for a holiday.

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Heavenly Creature wants Wellington house
26 July 2001
Los Angeles-based movie actor Melanie Lynskey - best known for her appearance in Peter Jackson's Heavenly Creatures--has her sights set on moving to Wellington.

The 24-year-old New Zealander, who is in the Capital this week to promote her latest film, Snakeskin, told The Evening Post she wants to buy "a little house" in Mt. Victoria.

Ms Lynskey, recently in the big budget Hollywood film Coyote Ugly and soon to star in a Stephen King TV mini-series, said she loved Wellington.

"It's my favourite city in the world. I'm moving back as soon as I can."

Ms. Lynskey said she was asked if she wanted to buy a house in the Wellington suburb by a friend who was selling houses after completing work on The Lord Of The Rings, but she couldn't afford it.

She had also been dating a Wellington man, though declined to name him.

"It's kind of on hold at the moment, but he's my best friend in the world."

Despite living in the United States, Ms. Lynskey said she preferred dating Kiwis.

"Americans are freaky. I can't go out with Americans. I always go out with New Zealand boys and that's the problem--we live in different countries."

She has also been engaged several times.

"I just get very carried away, I'm never in one place long enough to have a normal relationship, so that's why I'm always getting engaged."

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She's not earning millions but she's happy in her film work
24 July 2001
By Rochelle Warrander

Thirty-odd media interviews in less than a week--Hollywood-based actress Melanie Lynskey is flat out and loving it.

Home in New Plymouth for just a day before tearing down to Christchurch and then up to Wellington for even more media engagements and film festival screenings of her latest movie, Snakeskin, Lynskey said life was busy, but she was not complaining.

"Doing so many interviews does get really tiring, your voice gets very tired," said Los Angeles-based Lynskey (24), who was packing in as many interviews as possible during her trip back to New Zealand to promote Snakeskin.

The New Zealand premiere of the Gillian Ashurst-written and directed movie – filmed in the South Island – was in Auckland last Friday night, followed by a star-studded premiere party.

Lynskey got back to her hotel about 6.30am on Saturday, ready for Woman's Day and Pavement magazine photo shoots and interviews that morning. Those stories are due out in October to coincide with the national release of Snakeskin.

"I think it's a great movie. It's very energetic. It's one of my favourites, if not the favourite movie I have done.

"It was wild, crazy and really fun to be in," she said.

In Snakeskin, Lynskey plays a young woman named Alice on a road trip with her best friend. She plays alongside Kiwis Dean O'Gorman, Oliver Driver, Jodie Rimmer and American Boyd Kestner (GI Jane and The General's Daughter).

"I really believe in this film. I want it to do so well because it deserves to. I'm just so happy with it. It's such an interesting story," she said.

Lynskey's hectic schedule has also included the filming of Abandon, starring Julia Roberts' recently dumped ex Benjamin Bratt, and Stephen King's latest three-part television thriller, Red Rose.

Since starring opposite Kate Winslet in Heavenly Creatures and in Ever After with Drew Barrymore, Lynskey has had roles in 10 or 11 movies – she had lost count.

Following the New Zealand promotions of Snakeskin, Lynskey hopes to take a bit of a break, taking advantage of a quiet patch in Hollywood during uncertainty over a proposed Screen Actors' Guild strike.

But being able to take time off work does not mean Lynskey is making the big movie bucks.

Some independent movies paid as little as $US3000 for the entire filming, which left little after Lynskey paid $US900 a month in rent for her one-bedroom Hollywood apartment.

"I'm comfortable and obviously I'm doing fine.

"But it's funny because people keep asking my family `Does she send money back when she gets a million dollars for a film'? They obviously have to say no."

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Melanie Lynskey comes out from the shadows

21.07.2001 By Michele Hewitson

Melanie Lynskey, New Plymouth girl turned Los Angeles-based actor, is sitting in an Auckland hotel room doing impersonations of Melanie Lynskey.

She is also, the 24 year-old says with the naivete of youth, nursing the "worst hangover in the world."

Only the very young can look like Lynskey does - fresh-faced, bright-eyed - after a night on the town. Only the very young have the courage to face a camera lens the morning after sans makeup.

Not that too many actors, however young, would own up to a night on the other end of a couple of wine bottles. You're more likely to have them tell you, while they sip at a water bottle, that they were in the gym at 6 am.

Lynskey's a good actor but not much of a pretender. She's wearing old jeans and trainers, a cowboy shirt. The only trapping of a Hollywood lifestyle is a terrifically kitsch bag - it features a kitten in a patch of beaded daisies - from the terrifically expensive Bloomingdales.

Lynskey is that rare thing: the budding celebrity who says honest things. She'll tell you, for example, that she played "a very boring character" in a Stephen King mini-series because it was "good for my career ... but it was like sleepwalking through it."

She is home to promote her new film, Snakeskin, the Gillian Ashurst-directed "supernatural road movie" which premiered in Auckland last night and is due for general release in October.

It's her first major role in a New Zealand film (she had a blink-and-you'll-miss-it cameo in The Frighteners) since Peter Jackson's heavenly Heavenly Creatures in 1994. She was 15 then, a schoolgirl with dreams of becoming an actor.

"Be careful what you wish for," says the Snakeskin character Seth, a walking Marlboro Man who is as dangerous to the health as a lifetime of filter tips.

What Lynskey wished for were the best parts. Here's Lynskey, at the age of six, when her family were living in London. She's playing herself losing out on the part of Mary in the nativity play to another girl. A haughty Lynskey to teacher: "Can you explain to me why I didn't get this role? Is it the accent? I can do the English accent. Is it because she's blonde?" Lynskey can still remember the blonde's name: Wendy.

When she grew up and went to Hollywood for the first time aged 18, she found herself surrounded by "Wendys."

She was over-overwhelmed by a self-consciousness fed by a diet of auditions. "The whole culture was bewildering. Meeting all these girls ... I'd never seen anyone that skinny. I didn't fit in. I felt so awkward." Directors would say to her "You were really amazing in that film [Heavenly Creatures]." And she'd say, "Oh, no, I wasn't really. You don't have to say that."

They stopped saying it. Lynskey stopped eating, stopped going to auditions, "went a bit crazy." And came home. She "moved in with my boyfriend, went on the dole, got even fatter. It was awful."

[T]he breakthrough came when she auditioned for a never-made Gaylene Preston film, Ophelia.

When Preston asked the young actor why she was just going through the motions, Lynskey "just broke down crying." She gives a good repeat performance: "I've had this awful time. I was in LA ... and now I'm on the dole and live with my boyfriend and I hate him."

Preston advised her to go away and change everything she had to change. She did a play, took voice lessons, "went on a diet." And said bye-bye boyfriend?

"I'm afraid I did," she laughs. "It wasn't his fault. Gaylene Preston ruined my relationship." But she is serious when she says, "I don't even know if she realises how much she did for me."

For years interviews with Lynskey - when she was interviewed at all - would mention that she grew up in the shadow of Mt. Taranaki and grew up as an actor in the shadow of Heavenly Creatures co-star Kate Winslet.

Lynskey would turn, in terrified fascination, to the "whatever happened to ... ?" stories in magazines.

She thinks she's done enough now to halt the Winslet career comparison. She was Drew Barrymore's nice stepsister in Ever After; starred with Charlotte Rampling and Alan Bates in an adaptation of Chekhov's The Cherry Orchard; played a New Jersey girl in Coyote Ugly (she couldn't resist the combination of the accent, "big hair and fake nails").

In Snakeskin, she is Alice, a girl from small-town NZ who, as Lynskey puts it, "chooses a persona for herself as a way of trying to escape." Alice wants an adventure in Wonderland: "I wished so much that my life could be one of those Hollywood movies - and adventure around every corner." It's a tongue-in-cheek trip with plenty of drugs, violence and allusions to other stories.

Lynskey is great in it. She spends the film, shot in Canterbury, sporting a teensy-weensy skirt, and ample cleavage. Alice is all bravado; playing at being sexy. Lynskey knew girls like Alice at school. Those who were never going to be the "cool girl at school;" those who revelled in a parallel fantasy world. "I was kind of like that."

What she is like now is an ambitious young actor in a town where that makes you a cliche.

But you couldn't say she lives the cliched life, at least not yet. For one thing this actor in a road movie can't drive. In LA that makes it just her and street people who walk places. Tell people you walked to a meeting and it has as much impact as saying, "Hey, I just shot up heroin on the way here."

She lives in an apartment complex where her neighbours are all Texans, all related. They get in a keg, hang fairy lights and have huge parties. When she went in search of an apartment "they were all sitting outside drinking beer. And I was, like, do none of them have jobs? I like that."

Well, she likes it in the neighbours.

In a few years, if burning ambition has anything to do with it, a Lynskey interview will quite likely be something altogether different.

You'll get the standard celebrity interview: the minders will be lurking, the questions, and the answers, prescribed. Or maybe not. Being Lynskey might still mean turning up to interviews with no makeup and no pretensions. Now that would be the stuff of Wonderland.

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Dream role for actress in NZ-made road movie

08 January 2001

By Lyn Humphreys

Actress Melanie Lynskey got her big break in Hollywood with the movie Coyote Ugly – but it's a new Kiwi-made movie that has got her buzzing.

She classes the supernatural road movie Snakeskin as her most exciting role to date.

Lynskey, veteran of 10 movies, came home from her base in Los Angeles last year to take the lead role in the film she is raving about.

"It's very, very cool. I haven't seen it yet, but it felt wonderful when we were making it," she said during her Christmas-New Year holiday at her family's New Plymouth home. "There was a really good buzz about it."

Snakeskin was filmed in the South Island and written and produced by Gillian Ashurst.

"She's absolutely brilliant and it was just so great to be working at home again," she said.

The movie would now foot it with the best in international festivals this year, she said.

"I think it's going to be great. It's a good time for New Zealand film at the moment."

Her character could have been made for her.

"When I read the role, it was as though I had explained my dream role to somebody and they wrote it. It was amazing. Then when they wanted me to do it, it was the most exciting thing that's ever happened."

She plays alongside Kiwis Dean O'Gorman (of Shortland Street fame), Oliver Driver, Jodie Rimmer and American Boyd Kestner (GI Jane and The General's Daughter).

"There are lots of twists. I play a girl from a small town (Ashburton) who's obsessed with America and we go on this adventure and we find more excitement than we bargained for. All sorts of crazy things happen."

The box office has been kind financially since her career took off with Heavenly Creatures at the end of 1994.

"If you do a little independent movie you don't get paid very much. They're always my favourites because they are more fulfilling creatively. When you do something like Coyote Ugly, which is fun, you get better money."

Lynskey is rapt to be home for a break after working exceptionally long hours for four months on horror guru Stephen King's latest television thriller, Rose Red, a three-part series.

"It's about a creepy old haunted house that eats people alive. It has all these Stephen King characters.

"I actually have the most boring part in the whole thing. Normally I play character parts with funny accents.

"(In Rose Red) I'm the girl who's afraid for everyone, who runs around saying, 'Oh, My God what's happening?' (in her best American accent).

"When they offered me the part I said, 'Oh yeah!' I've never been the girl, I've always been the girl's best friend.

"But I don't know if I want to be again, because it's not so much fun.

"You don't get to act so much, and you just have to be nice and sweet and everyone worries about you looking pretty all the time, and I've never had to worry about that before."

Her typical working day started when she was picked up at 5.20am, then it was makeup for 1-1/2 hours, 13 to 14 hours on the set, and then home to crash.

"You do get tired. Having to have your emotions on hold all the time is very tiring. Spending 12 hours on the verge of tears is tiring. I was always worried."

The money is good, and she is now calling Los Angeles home.

"I look forward to going back.

Initially, it was awful. I almost had a nervous breakdown. At 18, I was too young. I wasn't ready for it. I've now got an apartment. Everyone's booked up to visit for the next two years."

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Melanie goes to Hollywood
Creme, December 2000

Melanie Lynsky's[sic] acting career began as a young teenager with humble beginnings. In the sleepy seaside town of New Plymouth she acted, with no formal training, in local theatre groups. Now at 23, Melanie is based in LA acting alongside big names in equally big budget Hollywood films, such as the new chick flick Coyote Ugly. Bridget Hope talks to the softly-spoken Melanie (or Mel to her friends) about her road to success in the cut-throat Hollywood film industry.

It's at the end of a long day for Melanie. She is currently in Seattle working on a Stephen King mini series that will keep her there until Christmas and whilst she is currently working in Seattle, auditions for movie roles sees her commuting back and forth to LA where she has her own apartment. Down the end of the phone line you can barely hear Melanie because of her quiet mouse-like voice. She speaks slowly and with such sincerity that it seems hard to believe that this sweet young woman ever made the jump overseas in the first place.

"All I ever wanted was to be an actress." she says, "But I always imagined my career would be living in Wellington and doing theatre. At the time that seemed like a big career to me."

Melanie's first professional acting role came when she was just 15 years old in the form of the Peter Jackson film Heavenly Creatures, a New Zealand film set in Christchurch about a wayward teenager whom, with the help of another girl (played by Kate Winslet) brutally kills her mother. Based on a true story, the film was set in Christchurch where the actual murder occurred. Melanie received a New Zealand Film and Television Award for Best Actress for her performance, but at the time had no idea of just how much the film would launch her acting career. She remembers : "I remember Kate [Winslet] would talk during filming about how good it would be for our careers and I was like...career? What career?" laughs Melanie.

"Kate had already been acting professionally since she was a toddler but I was just beginning. I knew that it would be a good film because the script was so amazing but it was such a shock when it came out and so many people saw it."

Once the media buzz had died down from Heavenly Creatures, Melanie went back to New Plymouth and returned to normal teenage life, attending high school at New Plymouth Girls High. She then went on to university studying sporadically for eighteen months. It was at this point that Melanie started getting itchy feet.

"It had never occurred to me to go to LA or London or any of those places" says Mel, "But I eventually got agents overseas and I was a bit depressed being at home (New Plymouth). Then this movie came out of the blue. It was this little independent movie called "Foreign Correspondents" and I went to LA to do that. Whilst I was there I auditioned for Ever After and have just been in the US ever since."

In the 1998 big budget Hollywood flick Ever After, Melanie played the supporting role of one of the two "ugly" sisters. She worked alongside Drew Barrymore who played Cinderella and Angelica Huston who was cast as the evil stepmother. For Melanie it was a monumental experience working with such big names.

"Drew is SO amazing." gushes Melanie.

Melanie has slowly been working away on films all over the world since then, although most of her work keeps her in LA. Asked if there is anything about the Hollywood scene that drives her up the wall, she replies, "There are hundreds of things. The biggest would be the pressure of it all. No matter how much time you spend trying to make yourself feel good, it's hard to walk into a room of skinny little things for an audition who spend their whole lives starving themselves. It's hard not to think that you should have to look like that too."

However[,] over the course of time, Melanie's distinctive look has meant that she has been able to carve out a niche for herself in the industry.

"If you work it out properly then you can get to an interesting place in your career where you are never typecast and are never too famous, so you can just keep working." she says.

"I managed to do this by not conforming to any ideals. Like in this current mini series, I'm playing the pretty girl. A couple of years ago they would have never seen me [to audition] for this part."

And in the land of the stars, Melanie's competition for acting roles is often pretty stiff.

"The last role that I came second for was this massive Adam Sandler movie that took them three weeks to decide. In the end Patricia Arquette got the role. Another movie Cameron Diaz got. It was a Martin Scorsese film with Leonardo DiCaprio. There's just nothing you can do about that."

Although Melanie is now used to auditioning and working on big budget Hollywood films, she prefers the smaller independent films.

"I prefer the little films because people are there for the right reasons." Melanie says. "They are there because they love the project as opposed to making money. In New Zealand people are just different anyway. In America there are always stars. There are star actors, star directors, star producers. People do tend to get carried away sometimes."

Snakeskin, directed by Jillian[sic] Ashkurst, saw Melanie spend the first part of this year in New Zealand. Luckily for Melanie, even though she has been living overseas for over fours years now, New Zealand is still very much home to her. She explains, "People have this idea that once you leave to go overseas you never want to go back, but I can't wait to come back. I'm only in LA because I have to be. I'm desperate for roles in New Zealand" she pines. Her wish was granted earlier this year when she returned to New Zealand to play the lead in Snakeskin, her favourite acting role to date.

"It's probably the one film that I have had the most freedom with." she says. "The character was very similar to my own and it made it fun to do. It's a movie about a girl called Alice who's just crazy and wild. She goes out on the road with her best friend Johnny whose[sic] played by Adino Gordon[sic]. They pick up this American hitchhiker called Steph and realise that where they come from is just as mixed up and dark and exciting as America is," she tells us.

The producers of Snakeskin are planning to screen the film at a myriad of international film festivals in the bid to get an American distributor for world wide audiences.

Melanie's most recent film to hit the cinemas, Coyote Ugly is a flashy chick flick about a girl named Violet who travels to New York in pursuit of a career in song writing. Melanie plays the role of Violet's best friend from New Jersey, Gloria. Although the film has only recently been launched in New Zealand, Melanie tells us it was filmed this time last year.

"It took forever to finish though." she says. "The other girls were continually being asked to come back for reshoots. Jerry Bruckheimer (producer) is a total perfectionist and would test scenes out on audiences. And if his audiences wanted to see more of the bar then he would start up production and reshoot it all over again."

Asked what it was like for her having to work with a whole bunch of supermodels, she replies, "It was intimidating but I didn't have many scenes with all those girls. I was with Piper the whole time and I adore her. But Adam Garcia..." she sighs.

"Oh my God... He's so spunky. I can't believe how sexy that man is. It was so much fun to hang out with him and Piper. I didn't spend a lot of time with the other girls but they were all really nice and appeared to be eating all the time too. They would be eating great big steaks." she laughs.

In preparation for her supporting role in Coyote Ugly, Melanie had to learn a coarse New Jersey accent.

"Initially they wouldn't see me for the part because they didn't believe that I could do the accent" she says.

But a headstrong Melanie was determined to prove herself going to extra lenghts to secure the role.

"I got a dialect coach and a whole lot of videos out like Married to the Mob and then did an audition on videotape, sent it to them and they changed their minds" she says triumphantly.

Since then Melanie has worked in a number of projects, making 2000 a busy working year for the budding young actress. And although she is a seasoned movie-premiere and Hollywood party-goer, the advice she offers for teens wanting to get into acting is as humble and sincere as the girl herself.

"Believe that it's possible." she encourages. "New Zealander's tend to be a bit down on themselves. You just need to look at some of the rubbish that comes out of America like films and crappy bands, and see there's a high percentage of good stuff coming out of New Zealand. You just have to believe that you can take it overseas and be successful. That was the one thing that initially stopped me. I just used to be afraid."

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Proud mum is guest at Disney premiere
24 JULY 2000

By Lyn Humphreys

Taranaki actress Melanie Lynskey's latest movie, Coyote Ugly, is to be premiered in New York at the end of the month.

Disney Productions is spending millions promoting the film, billed as a romantic comedy, as their big summer release.

Lynskey (23) plays the role of the smart-mouthed pal of actor Piper Perabo, who plays a barmaid at Coyote Ugly, the hottest spot in town.

And joining in the hype will be Lynskey's mother, Kay, of New Plymouth, who leaves for New York on Thursday .

Disney has provided an all-expenses-paid trip for her – including first-class air tickets – to New York for the premier at Ziegfield's next Monday.

Mrs Lynskey will meet her daughter in Los Angeles, where she is now based.

"I'm just so excited. I've never been to New York before. And there'll be some time for some retail therapy," Mrs Lynskey said.

The movie, also starring John Goodman and supermodel Tyra Banks, is set in the actual Manhattan nightclub Coyote Ugly after which it is named.

The story is about velvet-voiced Violet Sanford (played by Perabo) who goes to New York to pursue her dream of becoming a songwriter. Her aspirations are sidelined by the notoriety she receives at her day job at Coyote Ugly.

The film is Lynskey's 10th since her career took off following Heavenly Creatures. Her favourites to date are Ever After and the just-completed New Zealand road movie Snake Skin,[sic] by new director Gillian Ashurst.

Lynskey is soon to appear in an episode of Angel, a spinoff from Buffy the Vampire Slayer, in a role written for her by the series' creator Joss Whedon.

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Cleo Interview
July 2000

Hollywood's home now for Taranaki-born actor Melanie Lynskey, but five years after leaving New Zealand to forge an international career she's returned to her grass roots to star in the movie Snakeskin. By Leanne Moore.

Melanie Lynskey can be as slippery as a snake when it comes to pinning her down for an interview. It's not that Melanie, who shot to fame in Heavenly Creatures with Kate Winslet, doesn't want to talk. She does. Lots. It's just that she's in the middle of a punishing shooting schedule for her latest movie, Snakeskin. The final scenes are being shot at night and filming doesn't finish until daybreak. After all night on set, Melanie snoozes until around 3pm, then it's right back to work. After four aborted attempts at catching up with the Los Angeles-based actor, I finally hook up with her during a break in filming in the South Island. Munching mouthfuls of pretzels and sipping chardonnay, the 22-year-old chats about what it's like rubbing shoulders with Hollywood stars, Drew Barrymore's sensational parties, and how her family and friends in New Zealand keep her grounded.

You've described Snakeskin as the best script you've read since Heavenly Creatures--what made it stand out?
The fact that it was so completely original. There were some plot twists that caught me completely by suprise.[sic] I kept thinking, 'What can they do? Where can they take it from here?' The way it unfolded was unlike anything I had read. The character Alice, who I'm playing, was just so strong and sexy and cool. I thought, 'I'm desperate to do this.' It was a real instinctive reation.

In Snakeskin you're working alongside two of New Zealand's hunkiest actors, Taika Cohen from Scarfies and Dean O'Gorman from Young Hercules. What's that like?
Taika Cohen is a spunk. He's just the cutest. In fact, everyone wants to have sex with Taika. Even boys look at him and say 'Oh, he's so cute'. With Dean, I have a brother-sister relationship--actually, I have a brother-sister relationship with both of them.(Much laughter)

What do you like about working here?
I have always wanted to come back here to work. There's nothing like being at home and being around people who have grown up the same way as you. Being in the place you are meant to be means there's more of a family feeling to film-making here. I have done every kind of movie--British low budget, American low budget, European art house, Hollywood studio. They are all such different ways of working. I really prefer low-budget movies because people are not just in it for the money. They put their heart and soul into it. It can be that way on a studio film, too, but sometimes you get the sense of people gritting their teeth and thinking about their bank account to get through it.

You've been based in London and Los Angeles recently--are you a bit like a rolling stone at the moment?
I've been living in London for the past couple of years. My ex-boyfriend bought a house in Shoreditch (a semi-industrial area popular with writers and artists). We moved there because it was cheap and near a tube station and it just got trendier and trendier. I really, really miss all the cafes around there. It had a really artistic vibe to it. But to be honest, I feel most at home in Wellington. If I could live anywhere in the world, it would have to be there, but there's just not enough work. I'm sort of homeless at the moment. All my stuff is in three suitcases in my agent's garage in LA. But I do need to find my own place because I'm obsessively buying cushion covers and anything I can fit in a suitcase. I need to make a home and I need to buy a big sofa and put it somewhere. I looked at a few apartments just before I came here.

Why the move to LA?
I've decided that's where I have to be at the moment. There's just so much going on. Even now my agent in LA is calling me every day to let me know what's happening back there. Anywhere else in the world you sit around waiting, but when you're in LA you go out on castings every day. You can keep yourself occupied. It's hard to sit around waiting. At those times I think, 'How can I call myself an actor?' You tend to question yourself all the time when you're not working, and it's nice to be too busy to worry.

What's your favourite travel destination?
I have never been anywhere for a holiday, but I have gone to a lot of different places around the world for work. I have been so lucky to be paid to see all these places. I went to the south of France for Ever After and it was like a holiday. They rented us a big house with a swimming pool and it had gorgeous views. One of the scariest places I have been to was Bulgaria. I did a movie version of the Chekov play The Cherry Orchard, a European art-house movie where I spent three months in this tight corset. My whole body changed shape.

If you settle down, where do you see yourself living?
I have to live in LA at the moment because of work. But I have this dream of having a nice house in Wellington by the water and having a place in LA out by the beach so that I can look across the Pacific and think, 'Everyone I love is just across the water'.

Did you have a chance to become friends with Drew Barrymore on the set of Ever After, or was it just a working relationship?
We became friends. I still see her and she has the best parties of anyone I know. She has just got a really big heart and she loves fun and she knows how to make people have fun. She has this great place in a canyon in LA which is a whole bunch of little houses on this property. When she has a party she strings up fairy lights and has this one hut which is just a bar and she has one room where people can do paintings. It's great fun and a lovely feeling being around her. She has the warmest energy of anyone I have ever met.

Angelica Huston is like acting royalty. What was she like to work with in Ever After?
She is amazing. She is my ideal of what I would like to be like. She is well educated, has read everything, she is funny and beautiful. She is wise but she is not an old lady; she is a young spirit.

Heavenly Creatures gave you and Kate winslet your big break--have the two of you kept in touch?
We kind of have. It's interesting how our paths have entwined. We were both at very formative times of our life when we met. We had an amazing connection in that film, which we will always have when we see each other. She is like a sister to me and I see her sometimes, but she is married and having a baby and doing all these grown up things.

How is your love life? Is there anyone special at the moment?
I have been living with someone for the past couple of years, but I'm based in LA now and he's still in London. We both sort of need to know where we are at before anything happens. It's really difficult moving around all the time and trying to have a relationship.

Are you close to your family?
Yes. I come from quite a big family, three brothers and one sister. They are all younger than me. They are an anchor for me. I'm close to my parents and I would like it if they were with me. I think my best friend is going to come and live with me in LA. We've been friends since we met at drama class when we were 11. He plans to go to LA and work in a bar to see what it's like. That's the hardest thing about being away. I have a lot of close friends overseas but when you have grown up with someone it's a whole other thing. They were there the first time you got drunk and they know everything about you.

What's the most important goal in your life?
To feel like I have never chated myself. To be true to what I want to do. It sounds like a selfish goal but I think if you have dreams you should do everything you can to make them happen. I would hate it if I ever got to the end of my life and looked back and felt I had been too scared to go after my dreams. I don't have any materialistic goals. I just want to be fulfilled.

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Movieline - May 1999
Article by Stephen Rebello

Kate Winslet's name pops first to mind at the mention of Peter Jackson's 1994 stunner, Heavenly Creatures. But that cult classic about a pair of killer adolescents also marked an indelible screen bow for Melanie Lynskey, a then 16 year-old New Zealand high schooler chosen over 600 other contenders.

"Making that movie, working with brilliant Peter and amazing Kate, were like gifts from God," says Lynskey, today a captivating, petite 21 year-old with a winning Down Under twang. What Lynskey found out, though, was that even heavenly gifts exact a price.

"Right after the wonderful attention for Heavenly, I spent three long months in Hollywood auditioning with skinny, gorgeous, terrifying girls. Casting directors would look me over, sigh and say, 'You were so good in that movie, but I don't know what else to do with you.' I then got fixated on how I looked, whether I was thin enough or my face was too wide. It was awful."

After missing out on such hoped-for projects as The Crucible, Scream and Cousin Bette, Lynskey returned to New Zealand, and to a new variety of doubt: "Acting was all that I'd ever wanted to do, but after an amazing director for whom I was auditioning told me, 'I'm getting nothing from you. Something's destroyed you,' I broke down crying, saying, 'I've just had the worst time in Hollywood.' She advised me, 'Go away for three months and reclaim yourself.'"

So that's what Lynskey did, mixing practical strategies like voice lessons and a healthier diet with soul-searching.

Lynskey then came back to Hollywood, and after playing Drew Barrymore's un-wicked step-sister in the revisionist fairytale Ever After: A Cinderella Story, she got her footing. She'll next turn up opposite Edward Furlong in the comic road adventure Detroit Rock City, in which she plays a Cleveland girl who does the nasty in a church confessional en route to a big, climactic KISS reunion show.

"That scene won't dispel the fears of my grandmother who says, 'The movies have changed you, Melanie.' But it's more of a teen movie than a KISS movie. When I got cast, I called my best friend saying, 'I'm doing a movie about KISS, those guys with their tongues out, but I don't think I even want to know their music.' It turns out that I knew their music, I just hadn't put it together with those costumes and that make-up."

With her career nicely heated up, Lynskey has chosen to live in London with her Welsh actor boyfriend, Andrew Howard, whom she met while both were shooting a movie version of The Cherry Orchard.

"Some actors only like doing what they know they're good at, but not me," she concludes. "I want to be like Julianne Moore and get to do things that scare me - and keep on doing them until I'm very old."

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Pavement magazine (NZ) - Issue 32, Dec98 / Jan99

It isn't really a rags-to-riches story. However, Melanie Lynskey's move from starring in Peter Jackson's Heavenly Creatures to working opposite Drew Barrymore in the big budget Hollywood movie Ever After is a story well worth hearing.

By Michelle Cruickshank

Living under the shadow of imposing famous icons seems to be a habit for Melanie Lynskey. The softly spoken actress, who catapulted onto our screens and into our conciousness with her stunning portrayal of a 1950s schoolgirl murderess in Peter Jackson's Heavenly Creatures, grew up with the majestic figure of New Plymouth's Mt Taranaki as a backdrop to her childhood. These days, it's a man-made structure that frames her environment. Several stories tall, it spells out a metaphor for the unbridled dreams and shattered illusions of many Americans--HOLLYWOOD.

Until recently, Lynskey has also been living in the shadow of her first ever co-star, the Oscar-nominated British darling of Hollywood, Kate Winslet, who played Lynskey's partner in crime in Jackson's internationally acclaimed film. But, while the 20-year-old is content being dwarfed by her surroundings, she's finally starting to make some serious headway establishing her own career as an in-demand actress. In fact, it seems that it may not be long before the shadow cast by her own career is as imposing and impressive as those of her successful peers in Hollywood.

Despite a worrisome lull of a couple of years after the making of Heavenly Creatures, over the past two years Lynskey has won roles in no less than five films, all due to be released within the next 12 months. These roles will finally prove to the film studios, the public at large and Lynskey herself that what was essentially her lucky break with Heavenly Creatures wasn't just a one-off piece of propitious casting. Of course, the highestprofile film in this cavalcade of new roles is undoubtably Ever After, a modern take on the Cinderella story starring non other than Drew Barrymore and Anjelica Huston and filmed in the south of France. Lynskey plays a somewhat mutated evil stepsister. "I was the nice stepsister," she explains over the phone from Los Angeles, where she's flatting in the Hollywood Hills, just beneath the infamous HOLLYWOOD sign. "It's the whole twist of the role. I was the good girl."

With Ever After proving Barrymore's second consecutive hit film in America after the runaway success of The Wedding Singer, Lynskey's role in the film is already providing her with the kind of attention Heavenly Creatures promised yet largely failed to deliver. While it's stretching the truth to say the film offers are flooding in, at least Lynskey is now being sent the good scripts, given highly sought after auditions and getting work in an increasing number of interesting films. Meanwhile, the irony of her major Hollywood break coming in the form of the rags to riches fairy tale about Cinderella isn't lost on Lynskey.

Despite the attention and accolades generated by Lynskey's portrayal of Pauline Parker in Jackson's first foray into serious drama, her role in Heavenly Creatures wasn't the kick-start to a film career many, including Lynskey herself, initially anticipated it would be. While critics and moviegoers were captivated by her performance as a sullen, sensitive and palpably unstable schoolgirl, Lynskey was actually living a far less glamourous life. Tucked away in a small New Zealand town intent on finishing her seventh form year at New Plymouth Girls' High School, she spent some long, hard months weighing up her future and worrying that her unexpected break into an acting career was destined to be very short-lived indeed.

"I think the hardest thing was to go back to school," she muses, quick to assure me that most people were extremely supportive of her success. "It's a pretty catty environment at an all-girls school and things happened. For example, 60 Minutes came to do a story on me and followed me around for a day. At school, you just don't need that. And then I would have to go to New York or Sydney for a week and take time out. And, while they were amazing experiences, it was hard because I had these two completely separate lives. I think a lot of people resented that. It put me outside of them a bit."

For the academically-inclined Lynskey, finishing her final year at school was essential. But, while her classmates were relocating to various university hostels around the country, Lynskey was flying halfway around the world, convinced she was going to finally reap the benefits of Heavenly Creatures' success. Only it didn't work out that way. After a month-and-a-half in LA expecting to walk through the doors that should have opened with the film's success, Lynskey made the disappointing trip home with nothing to show for her time abroad except some fairly hefty emotional baggage.

"I felt really self-conscious the first time I came here to LA," she explains. "HORRIBLY self-conscious! There were these girls at auditions who were all SO old and SO skinny...I wasn't ready for it. I was terrified of being here. I thought: 'I have to grow. I'm not ready for it yet.' Now, I feel like LA is my favourite place in the world but only because now I've got the strength to tackle it and to live it a bit. It's a very competitive environment and when I came here I was like 17 or 18.

"It's hard when you've gone away and everyone is like, 'Oh, she's gone to LA. She's going to be a movie star,'" Lynskey continues, explaining the disappointment and self-doubt she experienced on her less than triumphant return to New Zealand. "It's hard to turn around and say, 'I'm not ready for it'. It was a really hard thing to do and I felt like I'd failed. I thought: 'I should be ready for this. I should be able to do this.' I was scared. I thought: 'God, maybe I can't do it! Maybe I can't even remember how to act anymore! Maybe it was a big fluke!'"

For the next 18 months after returning that first time, Lynskey attended Wellington's Victoria University, studying film, theatre and English. But the hardest lesson for the young actress to learn was adapting to life as an ordinary student after glimpsing what it would be like to live her dream. "There were times when I went back home and I felt like I was going crazy," she confesses. "I've always loved acting and I misssed it so much."

Just when Lynskey had virtually resigned herself to a life without any further Hollywood hype, in stepped a new fairy godmother in the form of Gaylene Preston (Frances Walsh, co-writer of Heavenly Creatures and the woman who discovered and cast Lynskey in the film, will forever be her first fairy godmother). After auditioning for the lead in Preston's on-again, off-again film Ophelia, the director took Lynskey aside and suggested that, before she throw herself into the thespian world, she needed to "do whatever she needed to do to make herself strong".[sic] The advice rang true for Lynskey, who was still suffering from low self-esteem after the failed pilgrimage to LA. The young actress began looking after herself physically, took voice lessons and "just grew up as a person".

While Lynskey was waiting to hear whether she would be Preston's Ophelia, another offer came in. It was a role in Mark Tapio Kines' independent film Foreign Correspondents, filmed in LA and co-starring Wil Wheaton of Stand by Me and Star Trek: The Next Generation fame. Lynskey had already completed a small, blink-and-you'll-miss-it cameo as a police officer in Jackson's The Frighteners, filmed mostly in Wellington. But, finally, she was off to tinsel town again. Only, this time, she not only had a part in a film but a renewed confidence in her ability to become the actress she had always dreamed of being.

It was while she was filming Foreign Correspondents that Lynskey successfully auditioned for Andy Tennant's third feature, Ever After, which meant she got to spend four months in Southern France, working and partying on a major Hollywood production. On her return to the United States, Lynskey found she had suddenly achieved a tangible name for herself as an actress. Roles in The Cherry Orchard, based on the Anton Chekov play and directed by Michael (Zorba The Greek) Cacoyannis in Bulgaria, and Detroit Rock City, the tale of a group of teenagers and their exploits en route to a KISS concert, filmed in Toronto by Adam Riskin and starring T2's Eddie Furlong, followed. Filming has just wrapped on Detroit Rock City and Lynskey plans to return home for a fleeting festive visit. Before long though, she'll be back in LA to revisit the role of a teenage lesbian in the independent film But I'm a Cheerleader, which also stars her new friend from Detroit Rock City, Natasha Lyonnne (Everyone Says I Love You, Slums of Beverly Hills), who recommmended Lynskey for the part.

Speaking to Lynskey from the Hollywood apartment she shares with one of her deep-voiced Cherry Orchard co-stars (it's his voice on the answerphone), I oscillate between musing on how much her burgeoning success has changed her and how unaffected she still seems to be. There is a discernible new-found confidence in Lynskey's speech and attitude towards herself and her career. Yet, while she's forthcoming and honest about her rising fortunes, Lynskey is quick to downplay any talk of stardom. The first 10 minutes of our interview are entirely occupied with Lynskey excitedly recalling the successes of various people she grew up with in New Plymouth. And, when she does allow herself to admit that things for herself are looking better than they ever have, she quickly becomes concerned and sweetly inquires: "Do you think I'm really arrogant?"

The Interview PAVEMENT: Like your character in Heavenly Creatures, a lot of girls fantasise about growing up to be a famous actress. Was it the same for you?
Melanie Lynskey: Oh, yeah, completely! I always wanted to be an actress or a writer. I can't remember ever wanting to do anything else since I was 12, when I discovered that these options were open to me. It was always such an important part of mine, and the people I was growing up with's, lives. I mean, we went to drama class on Friday nights and it was a very social thing. It was so important to get that release every week, I guess, from where you were living. It was funny doing European press for Ever After because they were all saying: 'Isn't it a dream of all young girls to grow up and be princesses?' And I sort of thought about it and I guess the modern daydream of young girls is to grow up and be a famous actress or a supermodel, God forbid, which are sort of modern day princesses.

P: Considering it was your ambition from the age of 12 to act and that Fran Walsh's discovery of you was such a lucky break, do you think there's some kind of fate or destiny at work in your life?
L: Yeah, I think so. I feel so lucky, I don't want to jinx it! They [Heavenly Creatures' Peter Jackson and Fran Walsh] found me at the perfect moment in my life, when I could play this really individual character. They picked me out of 600 other people because they could see that it was the right time and they could see in me what they needed. I think it is some kind of destiny for someone to come to New Plymouth and find you in this group of girls and give you this amazing opportunity which has opened up so much for me.

P: So, do you think that if it had been a year earlier or a year later, you wouldn't have been the perfect girl for that role?
L: Yeah, I think so. I was going through all the normal teenage things, but some fairly intense teenage things as well, that I think were perfect. In a way, I was young enough but I had that kind of maturity that Pauline had as well. I was in a very sort of adult relationship and a close friend of ours had died. There was a lot of stuff that was open to me. I don't know that a lot of 15-year-old girls have access to a lot of the emotions that those two girls were feeling. But I had it all in me and if it had been a year earlier, I wouldn't have been ready. And if it had been a year later, I would have resolved it all.

P: In retrospect, was it a step backward for you to go to LA that first time to pursue your acting career, only to return to New Zealand unsuccessful and pretty depressed?
L: I think I just needed to grow up and I needed to believe in myself. I think that's the biggest thing you need here. You just have to have such confidence because you're getting turned down for things left, right and centre.

P: Did your parents ever give you the "It's time to stop dreaming and get a real job" speech?
L: They didn't do that. I mean, it was crazy of me to go to LA right off the bat. Maybe I could have gone to Australia and done that...Just a little step. I think they really felt for me. My parents understand me and they know me really well and they knew it wasn't a healthy choice I was making. So, when I came home, they were really protective of me. But, last year, when they saw that I was ready for it, that I couldn't do what I was doing anymore, that I couldn't stay in New Zealand because I was desperate to act--I was HUNGRY for it--they said: 'Go and do everything'. They were great about it.

P:Was it hard for you to understand why you weren't successful initially, especially considering how Heavenly Creatures really seemed to launch Kate Winslet's career?
L:No, not really. I mean, Pauline in Heavenly Creatures was an amazing performance and I'm very proud of it but it's not the kind of character that makes people in Hollywood go, 'Oh, my God! The girl can do anything!' I got a lot of attention from it and I'm finding that it's helping me now because...It sounds so dreadful to say this and I hate the way thing work here, but, physically, now I'm of a type that's accepted here. I lost a lot of weight and my face is a different shape and I just kind of grew up and grew into myself. So now I find that I'm going up for any type of role...The girlfriend, the pretty girl, whatever. Now I've got Ever After behind me, where people can say 'Well, we know she can act because she's done this.' Whereas, with Heavenly Creatures, it was like, 'Well, we know she can act but I don't think she could fit into this part or this part or this part...' With Kate, she's gorgeous and she played the part of a beautiful girl in the film and it's easy for people to watch it and go, 'I can imagine her in this and this and this...'

P:Still, despite your physical transformation, you're hardly the typical American beauty. Is that working in your favour now?
L:I think I'm comfortable with myself now and...I don't know how to say this because it's a funny thing to be talking about...Now, physically, I fit into a lot more places. There are a lot more different parts people can cast me in now. There are a lot more ways they can see me. I didn't go out and try to change myself so I could get work. It just happened when I spent that time growing up and taking care of myself. It just happened, honestly, when I had that talk with Gaylene Preston. I just felt like my whole life opened up and I got this new confidence in every way. Also, I think people's attitudes are changing. Because independent films have been so successful in recent years and more interesting actresses, like Christina Ricci, are being cast in bigger movies, I think people are more open to a quirky kind of attractiveness. I mean, by no means am I like most of the girls that are at these auditions with me. They're SO skinny. They look like they've never eaten in their lives and spent their whole lives on a tanning bed. The leathery waif...[laughs] I'm not like that, by any means. It's so funny. Maybe it's a New Zealand thing but I still get so much guilt about saying I look better.

P:Celebrities, especially actors, seem very fond of claiming that success hasn't changed them. But you don't even sound like the same person you were two years ago!
L:I mean, I'm still so nervous of even discussing this because I'm so scared that I'm going to wake up tomorrow and it will all be gone. I know that I'm not experiencing any huge success or anything like that. I feel like it's going good and it could keep going well. I think the main thing that's changed is that, although I still get terrified, I think now, maybe, I could make this my life. I'm putting 'actor' on my forms for immigration. I always used to put 'unemployed' or 'student' or something and now I'm writing 'actor'. I can say that I do this. I think it's what I was always meant to do. And I just feel so lucky to be allowed to do it and it's made me happy--happy with myself--and that's changed me.

P:The other cliché actors often insist upon is that being in the movie industry isn't glamourous. But, here you are at 20, jet-setting around the world, living in LA, earning lots of money, going out to dinnner and getting drunk with people like Drew Barrymore and Anjelica Huston...Surely you can't say your life isn't glamourous!
L:It's so funny because when you get picked up at three o'clock in the morning to do a night shoot and it's horrible weather and you've got to make out with some guy you don't even know, it's not glamourous! The work isn't glamourius but the life is. I mean, I'm not living any movie star life but, like, the other night, Natasha Lyonne, Claire Duvall [also in But I'm a Cheerleader] and me got front row tickets to a KISS concert. And to treat ourselves, we hired a limo [laughs]. It sounds so terrible and decadent but we spent the night like three young actresses, roaming around LA in this limo, saying 'Take us here and take us there.'

P:Acting the lifestyle...
L:Yeah, completely. And I thought then: 'It is kind of glamourous.' Even though we were just playing, it was fun. Nobody had a clue who any of us were but it was something fun and girly and glamourous!

P:Something which really struck me when I was going through the EVER AFTER press kit was how visually similar you and Drew look in the film.
L:Everyone says that. It's so funny.

P:What's it like to be compared to this woman who men and women go crazy over?
L:Well, I mean, obviously it's amazing! [laughs] It's such a huge compliment. I don't know... I can't see it myself. Drew, it's like she's got this light inside of her, which I think is why people love her so much and are so drawn to her. And it's so bright inside her that I think: 'Oh my God! I can't compare myself to Drew!' Because, honestly, she's like she's from another world or something. We've both got chubby faces and long chins...She'd love it if she read that!

P:On the subject of Drew, there's been a rumour circulating back here that the two of you had a torrid affair while you were making Ever After...
L:[Laughs] That's not true! I was going out with her production assistant! [laughs] She's got a boyfriend who she's been with for years. Oh, I wonder where that got started? We're pretty close, though, Drew and I. She's pretty touchy-feely; she's a huggy girl. But that's cool. We weren't making out in each other's trailers or anything! I wouldn't mind! [laughs] I'm selling that one to Woman's Day. It's an exclusive, I'm afraid [laughs].

P:Keeping that rumour in mind, and considering that But I'm a Cheerleader will be your second lesbian role, do you think that you might replace Lucy Lawless as New Zealand's new lesbian icon?
L:Oh God! [laughs] I think I already am! But I think Cheerleader is definitely going to contribute to that.

P:Okay, despite the fact that we can't all fantasise about you and Drew together now, it must have been pretty wild to be getting drunk with people like Drew and Anjelica, whom you must have previously considered these movie icons far removed from your own reality...
L:At first, it was terrifying. Drew was cool. I mean, for a long time, it was just me and her cast in the movie, so we had lots of correspondence. She said how excited she was to be working with me and I said it back. So we kind of broke the ice and she's my age and she's very easy-going. But the first time I met Anjelica, we were having makeup tests and she came in in this big white robe [laughs]. And her hair was all swept up and she's got that amazing, gorgeous face. And I was like 'Oh my God! Oh my God! What do I say?' And she came over to me and said [mimics American accent]: 'I think you're a marvellous actress and I loved Heavenly Creatures'. And from then on it just got cool. There were moments when we were sitting around drunk, doing some ridiculous thing, or crying or something, and I'd go: 'Oh my God. It's Anjelica Huston!' Or: 'It's Drew Barrymore!'"

P:So they always made you feel part of that lifestyle?
L:It's weird because we were in France and we were sort of shut away from everything and we had a normal kind of social life. Then when I came back to LA, the times I've gone out to dinner with Anjelica here are weird because she's got a defence--and Drew has, as well--just to shut off from the fact that people are openly staring or following her around. It's terrifying to me. I went into a bar one night with Drew and we were in this little curtained booth, for celebrities or something, and someone came in and pulled back the curtain and started taking pictures of her. People were sliding bits of paper under the curtain all night, saying 'Can I have your autograph?' She was bugged all night and yet she's so sweet and so gracious about it. I was just thinking: 'How can she live that way?' She's so famous, it's crazy. I mean, it's even weirder for Kate, I think, because the British press are so unbelieveably cruel and invasive.

P:Although you want to be a successful actress, does an experience like that make you question whether it's worth aspiring to be in that league of fame?
L:Yeah! I mean, the only benefit of fame I guess I can see is that you get the first choice of all the best movies. Everything that I audition for, Drew's been offered, Kate's been offered...And I've really got to work to get them.

P:Are you working towards any grand plan, then?
L:I will win two Oscars in the next year! That's my plan [laughs]. Best Supporting and Best Actress in the same year! No, I just want to keep doing it. I mean, my agents have a plan, which is a bit scary to me. They don't want to sit me down because they know what I'm like. They know I'd panic. But, occasionally, they slip up and say, 'Well, the next film has to be a lead.' And I'm like, 'Why? How do you know that? What do you mean?' I'm too scared to make plans because who knows what's going to happen. I just want to keep working, to keep doing cool things. I'm just so happy with where I am. I mean, I'm going into meetings and people are respecting me and saying things like: 'Oh, I love your work.' And I think: 'Oh God! I actually have a body of work!' I feel like that's an achievement. Like, this is my dream come true. Obviously, it would be nice to get statues and houses and whatever else. But I imagined my life would be doing plays and doing a movie, if I was lucky. And now, it's just incredible!

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Melanie Lynskey Interview Part I - Transcript

MEL: How I got started on this project was, I got an invitation in the mail from Mark Kines.

BILL: Through the mail?

MEL: Mm-hmm. Through the - in the mail. Don't be insolent. And um... He - yeah. So he was basically saying "Would you like to be in my movie." He found me on the Internet, apparently. One of my Web pages. And, um, I said "Send me the script and I'll see" and I liked it a lot so I said "Okay" even though he only had forty thousand dollars.

[Note from Mark: I was, in fact, going to shoot this film originally for $40,000. The price tag went up considerably in May 1997.]


Melanie Lynskey Interview Part II - Transcript

MEL: I liked a lot of things about it. I liked the way it was written. He [Mark] has a very real sense of dialogue, which is nice. And she was an - she was an interesting character. (Smirk.)


Wil and Mel Wrap Things Up - Transcript

WIL: It's been a wonderful experience. A wonderful crew. Mark's been a wonderful director. Uh... Melanie's terrific. She won't tell you how terrific she is, but I will. She's wonderful.

MEL: He's terrific.

WIL: ...Great actor...

MEL: He's great.

WIL: ...Very pretty...

MEL: He's pretty.

WIL: So we're having a good time here.

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Fairytale Ending to Actor's Long Search for Work

By Brendan Cole

NY Daily News, Wednesday, August 27, 1997 - Copyright 1997

The career of actor Melanie Lynskey has taken a fairytale turn.

The 20-year-old New Plymouth woman will star alongside Hollywood luminary Drew Barrymore -- who plays the title role in the 20th Century Fox film Cinderella.

It has been three years since Lynskey starred in Peter Jackson's award-winning film Heavenly Creatures in which she played Pauline Parker, a wallflower whose obsessive friendship with Juliet Hulme (Kate Winslet) led the pair to bludgeon Parker's mother to death.

Lynskey then travelled to Los Angeles last year to audition for further film roles but was unsuccessful.

However, on her return visit in June, before she began her part in a forthcoming film called Foreign Correspondents, she tried for the part of Jacqueline de Ghent -- Cinderella's ugly sister.

"The audition was great, they were very enthusiastic -- usually an audition is terrifying because you only have a few minutes to put everything into it. You really feel the pressure, but this was just really fun," she said.

And it was her agent who told her the good news.

"I was just amazed. Whenever I am waiting to hear from someone, I am used to my agent saying 'they loved you but the other person was more famous, or something like that. My agent has always been honest.

"But halfway through the conversation she said: 'Oh that's right, you got the part', I was like 'are you sure?'."

Lynskey said learning how to overcome audition nerves was one of the reasons behind her success and she attributed part of her new- found confidence to advice from top New Zealand director Gaylene Preston.

"In Hollywood auditions, no matter what sort of character you play, they like you to be totally confident as if the part is yours. This time I really got the confidence to go in there and feel good about myself."

After narrowly missing out on a part in the film The Crucible, Lynskey returned to New Zealand last year to ponder her future and deal with constant questioning about what and when her next film would be. While Lynskey toiled away in audition after audition, Heavenly Creatures co-star Kate Winslet experienced a meteoric rise to fame.

"People are eager to draw comparisons between us, but we are two completely different actresses who will always be doing different things. She does wonderful work. People in the industry understand how hard it is to get work, but a lot of people expected that if you do one movie, then you just do more. I felt that a lot of people thought there was something wrong with me."

Lynskey will not reveal too much about Cinderella, except that it is a "different" version of the age-old fairytale. Today she flies to London for costume fitting and then will spend time with her co-star Drew Barrymore before rehearsals start on Monday.

And from being a Victoria University student used to living in draughty flats, she is looking forward to working on a set in the sunny south of France with some of Hollywood's greatest stars.

"My agents are so excited about the future and I'm a bit scared to walk towards it because I have not worked in four years. It has not sunk in yet."

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Peter Jackson (PJ) and Fran Walsh (FW) on the discovery of Melanie Lynskey:

(...)

Q: I know you found Kate Winslet at an audition in England. How did you come across Melanie Lynskey, who played Pauline? I understand she was not a professional actress.

PJ: Well, it's one of those stories that sounds like it's not true. We wanted to cast someone in New Zealand, and we'd auditioned a lot of people, five or six hundred, who were either videotaped or photographed. I wanted to find someone who was young, around 15 or 16 years old; I didn't want a 23-year-old in a school uniform. And we wanted someone who was physically very much like the original Pauline; I have a thing about being as accurate as possible. So we quickly exhausted the professional actors in New Zealand who happened to look like Pauline, there's only about one or two. [laughs] We knew we were looking for someone with no experience, but we just had to find them. We kept saying, "Somewhere in New Zealand there's somebody who's perfect for this role." We were actually about four weeks away from beginning shooting, and we had one or two people on the short list, neither of whom we were happy with, but we were coming under enormous pressure to cast one of them, because, you know, the wardrobe department needed to make costumes, and so on, and Fran said to me, "You're not really happy with the choices, are you?" And I said, "No." And she said, "This is crazy; we've spent all this time and energy on this film and we haven't found Pauline. This is something close to a major tragedy." I was in Christchurch, so Fran decided to drive with a casting person around the lower half of the North Island of New Zealand; she was prepared to drive as far as she had to. They'd visit every small town, go to the local school, visit the principal's office and show a photo of Pauline Parker. She'd say, "We're making a movie about Pauline Parker; do you have any pupils in your school who resemble her who might be interested in this?"

FW: We were in a rusting Ford Cortina, and we had no official I.D. We'd roll up to these provincial schools, and we'd be greeted by some curious teacher. Although no one ever once questioned our authenticity, we would always get asked about the car: "If you're in films, why aren't you driving a Porsche?" [both laugh] So then I would pitch the story to the entire classroom, scanning the room the whole time, looking for sullen, brooding school girls, all the while thinking, "What would she look like with her hair dyed black?"

PJ: I guess that went on for about a week. Every night I'd get a call from Fran. Anyone that was vaguely appropriate was videotaped, and I got a couple of tapes in Christchurch, and it was a bit depressing. Finally, Fran called from a small town called New Plymouth, and said, "I think I've found someone very interesting. ' And this was Mel. We flew her down to Christchurch and gave her an audition and a screen test, and we cast her two weeks before the film started shooting. I called her mother up on a Friday night and said, "I'd really like Melanie to do the film." And she said, "When does she have to start?" And I said, "Well, she's got to come down here on Sunday." The poor girl didn't even get a chance to go back to school to clean out her locker.

Q: Do you think there was any correspondence between the two actresses and their backgrounds and those of the characters they were playing?

PJ: One of the things that we knew about Pauline was that she was incredibly witty and intelligent, and Melanie was very similar; she was the top student in her province in many subjects. And we knew if we cast an intelligent person, then they were going to hit it. Melanie's also very enigmatic. The character of Pauline doesn't have an enormous amount of dialogue. In a sense, the real Pauline Parker speaks for her, through the diaries. So what we were looking for was an actress who has that kind of aspect to her that's a real movie-star thing: where you can film somebody sitting in a room, doing nothing, and they're still fascinating to watch. We found that in Mel.

(...)