Pavement magazine (NZ) - Issue 32, Dec98 / Jan99
It isn't really a rags-to-riches story. However, Melanie Lynskey's move
from starring in Peter Jackson's Heavenly Creatures to working opposite
Drew Barrymore in the big budget Hollywood movie Ever After is a story
well worth hearing.
By Michelle Cruickshank
Living under the shadow of imposing famous icons seems to be a habit for Melanie Lynskey. The softly spoken actress, who catapulted onto our screens and into our conciousness with her stunning portrayal of a 1950s schoolgirl murderess in Peter Jackson's Heavenly Creatures, grew up with the majestic figure of New Plymouth's Mt Taranaki as a backdrop to her childhood. These days, it's a man-made structure that frames her environment. Several stories tall, it spells out a metaphor for the unbridled dreams and shattered illusions of many Americans--HOLLYWOOD.
Until recently, Lynskey has also been living in the shadow of her first ever co-star, the Oscar-nominated British darling of Hollywood, Kate Winslet, who played Lynskey's partner in crime in Jackson's internationally acclaimed film. But, while the 20-year-old is content being dwarfed by her surroundings, she's finally starting to make some serious headway establishing her own career as an in-demand actress. In fact, it seems that it may not be long before the shadow cast by her own career is as imposing and impressive as those of her successful peers in Hollywood.
Despite a worrisome lull of a couple of years after the making of Heavenly Creatures, over the past two years Lynskey has won roles in no less than five films, all due to be released within the next 12 months. These roles will finally prove to the film studios, the public at large and Lynskey herself that what was essentially her lucky break with Heavenly Creatures
wasn't just a one-off piece of propitious casting. Of course, the highestprofile film in this cavalcade of new roles is undoubtably Ever After, a modern take on the Cinderella story starring non other than Drew Barrymore and Anjelica Huston and filmed in the south of France. Lynskey plays a somewhat mutated evil stepsister. "I was the nice stepsister," she explains
over the phone from Los Angeles, where she's flatting in the Hollywood Hills, just beneath the infamous HOLLYWOOD sign. "It's the whole twist of the role. I was the good girl."
With Ever After proving Barrymore's second consecutive hit film in America after the runaway success of The Wedding Singer, Lynskey's role in the film is already providing her with the kind of attention Heavenly Creatures promised yet largely failed to deliver. While it's stretching the truth to say the film offers are flooding in, at least Lynskey is now being sent the good scripts, given highly sought after auditions and getting work in an increasing number of interesting films. Meanwhile, the irony of her major Hollywood break coming in the form of the rags to riches fairy tale about Cinderella isn't lost on Lynskey.
Despite the attention and accolades generated by Lynskey's portrayal of Pauline Parker in Jackson's first foray into serious drama, her role in Heavenly Creatures wasn't the kick-start to a film career many, including Lynskey herself, initially anticipated it would be. While critics and moviegoers were captivated by her performance as a sullen, sensitive and palpably unstable schoolgirl, Lynskey was actually living a far less glamourous life. Tucked away in a small New Zealand town intent on finishing her seventh form year at New Plymouth Girls' High School, she spent some long, hard months weighing up her future and worrying that her unexpected break into an acting career was destined to be very short-lived indeed.
"I think the hardest thing was to go back to school," she muses, quick to assure me that most people were extremely supportive of her success. "It's a pretty catty environment at an all-girls school and things happened. For example, 60 Minutes came to do a story on me and followed me around for a day. At school, you just don't need that. And then I would have to go to New York or Sydney for a week and take time out. And, while they were amazing experiences, it was hard because I had these two completely separate lives. I think a lot of people resented that. It put me outside of them a bit."
For the academically-inclined Lynskey, finishing her final year at school was essential. But, while her classmates were relocating to various university hostels around the country, Lynskey was flying halfway around the world, convinced she was going to finally reap the benefits of Heavenly Creatures' success. Only it didn't work out that way. After a month-and-a-half in LA expecting to walk through the doors that should have opened with the film's success, Lynskey made the disappointing trip home with nothing to show for her time abroad except some fairly hefty emotional baggage.
"I felt really self-conscious the first time I came here to LA," she explains. "HORRIBLY self-conscious! There were these girls at auditions who were all SO old and SO skinny...I wasn't ready for it. I was terrified of being here. I thought: 'I have to grow. I'm not ready for it yet.' Now, I feel like LA is my favourite place in the world but only because now I've got the strength to tackle it and to live it a bit. It's a very competitive environment and when I came here I was like 17 or 18.
"It's hard when you've gone away and everyone is like, 'Oh, she's gone to LA. She's going to be a movie star,'" Lynskey continues, explaining the disappointment and self-doubt she experienced on her less than triumphant return to New Zealand. "It's hard to turn around and say, 'I'm not ready for it'. It was a really hard thing to do and I felt like I'd failed. I
thought: 'I should be ready for this. I should be able to do this.' I was scared. I thought: 'God, maybe I can't do it! Maybe I can't even remember how to act anymore! Maybe it was a big fluke!'"
For the next 18 months after returning that first time, Lynskey attended Wellington's Victoria University, studying film, theatre and English. But the hardest lesson for the young actress to learn was adapting to life as an ordinary student after glimpsing what it would be like to live her dream. "There were times when I went back home and I felt like I was going
crazy," she confesses. "I've always loved acting and I misssed it so much."
Just when Lynskey had virtually resigned herself to a life without any further Hollywood hype, in stepped a new fairy godmother in the form of Gaylene Preston (Frances Walsh, co-writer of Heavenly Creatures and the woman who discovered and cast Lynskey in the film, will forever be her first fairy godmother). After auditioning for the lead in Preston's on-again,
off-again film Ophelia, the director took Lynskey aside and suggested that, before she throw herself into the thespian world, she needed to "do whatever she needed to do to make herself strong".[sic] The advice rang true for Lynskey, who was still suffering from low self-esteem after the failed pilgrimage to LA. The young actress began looking after herself physically, took voice lessons and "just grew up as a person".
While Lynskey was waiting to hear whether she would be Preston's Ophelia, another offer came in. It was a role in Mark Tapio Kines' independent film Foreign Correspondents, filmed in LA and co-starring Wil Wheaton of Stand by Me and Star Trek: The Next Generation fame. Lynskey had already completed a small, blink-and-you'll-miss-it cameo as a police officer in Jackson's The Frighteners, filmed mostly in Wellington. But, finally, she was off to tinsel town again. Only, this time, she not only had a part in a film but a renewed confidence in her ability to become the actress she had always
dreamed of being.
It was while she was filming Foreign Correspondents that Lynskey successfully auditioned for Andy Tennant's third feature, Ever After, which meant she got to spend four months in Southern France, working and partying on a major Hollywood production. On her return to the United States, Lynskey found she had suddenly achieved a tangible name for herself as an actress. Roles in The Cherry Orchard, based on the Anton Chekov play and directed
by Michael (Zorba The Greek) Cacoyannis in Bulgaria, and Detroit Rock City, the tale of a group of teenagers and their exploits en route to a KISS concert, filmed in Toronto by Adam Riskin and starring T2's Eddie Furlong, followed. Filming has just wrapped on Detroit Rock City and Lynskey plans to return home for a fleeting festive visit. Before long though, she'll
be back in LA to revisit the role of a teenage lesbian in the independent film But I'm a Cheerleader, which also stars her new friend from Detroit Rock City, Natasha Lyonnne (Everyone Says I Love You, Slums of Beverly Hills), who recommmended Lynskey for the part.
Speaking to Lynskey from the Hollywood apartment she shares with one of her deep-voiced Cherry Orchard co-stars (it's his voice on the answerphone), I oscillate between musing on how much her burgeoning success has changed her and how unaffected she still seems to be. There is a discernible new-found confidence in Lynskey's speech and attitude towards herself and her career. Yet, while she's forthcoming and honest about her rising fortunes, Lynskey is quick to downplay any talk of stardom. The first 10 minutes of our interview are entirely occupied with Lynskey excitedly recalling the successes of various people she grew up with in New Plymouth. And, when she does allow herself to admit that things for herself are looking better than they ever have, she quickly becomes concerned and sweetly inquires: "Do you think I'm really arrogant?"
The Interview
PAVEMENT: Like your character in Heavenly Creatures, a lot of girls
fantasise about growing up to be a famous actress. Was it the same for
you?
Melanie Lynskey: Oh, yeah, completely! I always wanted to be an actress
or a writer. I can't remember ever wanting to do anything else since I
was 12, when I discovered that these options were open to me. It was always
such an important part of mine, and the people I was growing up with's,
lives. I mean, we went to drama class on Friday nights and it was a very
social thing. It was so important to get that release every week, I guess,
from where you were living. It was funny doing European press for Ever After because they were all saying: 'Isn't it a dream of all young girls
to grow up and be princesses?' And I sort of thought about it and I guess
the modern daydream of young girls is to grow up and be a famous actress
or a supermodel, God forbid, which are sort of modern day princesses.
P: Considering it was your ambition from the age of 12 to act and that
Fran Walsh's discovery of you was such a lucky break, do you think there's
some kind of fate or destiny at work in your life?
L: Yeah, I think so. I feel so lucky, I don't want to jinx it! They
[Heavenly Creatures' Peter Jackson and Fran Walsh] found me at the perfect
moment in my life, when I could play this really individual character.
They picked me out of 600 other people because they could see that it was
the right time and they could see in me what they needed. I think it is
some kind of destiny for someone to come to New Plymouth and find you in
this group of girls and give you this amazing opportunity which has opened
up so much for me.
P: So, do you think that if it had been a year earlier or a year later,
you wouldn't have been the perfect girl for that role?
L: Yeah, I think so. I was going through all the normal teenage things,
but some fairly intense teenage things as well, that I think were perfect.
In a way, I was young enough but I had that kind of maturity that Pauline
had as well. I was in a very sort of adult relationship and a close friend
of ours had died. There was a lot of stuff that was open to me. I don't
know that a lot of 15-year-old girls have access to a lot of the emotions
that those two girls were feeling. But I had it all in me and if it had
been a year earlier, I wouldn't have been ready. And if it had been a year
later, I would have resolved it all.
P: In retrospect, was it a step backward for you to go to LA that first
time to pursue your acting career, only to return to New Zealand unsuccessful
and pretty depressed?
L: I think I just needed to grow up and I needed to believe in myself.
I think that's the biggest thing you need here. You just have to have such
confidence because you're getting turned down for things left, right and
centre.
P: Did your parents ever give you the "It's time to stop dreaming and
get a real job" speech?
L: They didn't do that. I mean, it was crazy of me to go to LA right
off the bat. Maybe I could have gone to Australia and done that...Just
a little step. I think they really felt for me. My parents understand me
and they know me really well and they knew it wasn't a healthy choice I
was making. So, when I came home, they were really protective of me. But,
last year, when they saw that I was ready for it, that I couldn't do what
I was doing anymore, that I couldn't stay in New Zealand because I was
desperate to act--I was HUNGRY for it--they said: 'Go and do everything'.
They were great about it.
P:Was it hard for you to understand why you weren't successful initially,
especially considering how Heavenly Creatures really seemed to launch Kate
Winslet's career?
L:No, not really. I mean, Pauline in Heavenly Creatures was an amazing
performance and I'm very proud of it but it's not the kind of character
that makes people in Hollywood go, 'Oh, my God! The girl can do anything!'
I got a lot of attention from it and I'm finding that it's helping me now
because...It sounds so dreadful to say this and I hate the way thing work
here, but, physically, now I'm of a type that's accepted here. I lost a
lot of weight and my face is a different shape and I just kind of grew
up and grew into myself. So now I find that I'm going up for any type of
role...The girlfriend, the pretty girl, whatever. Now I've got Ever After
behind me, where people can say 'Well, we know she can act because she's
done this.' Whereas, with Heavenly Creatures, it was like, 'Well, we know
she can act but I don't think she could fit into this part or this part
or this part...' With Kate, she's gorgeous and she played the part of a
beautiful girl in the film and it's easy for people to watch it and go,
'I can imagine her in this and this and this...'
P:Still, despite your physical transformation, you're hardly the typical
American beauty. Is that working in your favour now?
L:I think I'm comfortable with myself now and...I don't know how to
say this because it's a funny thing to be talking about...Now, physically,
I fit into a lot more places. There are a lot more different parts people
can cast me in now. There are a lot more ways they can see me. I didn't
go out and try to change myself so I could get work. It just happened when
I spent that time growing up and taking care of myself. It just happened,
honestly, when I had that talk with Gaylene Preston. I just felt like my
whole life opened up and I got this new confidence in every way. Also,
I think people's attitudes are changing. Because independent films have
been so successful in recent years and more interesting actresses, like
Christina Ricci, are being cast in bigger movies, I think people are more
open to a quirky kind of attractiveness. I mean, by no means am I like
most of the girls that are at these auditions with me. They're SO skinny.
They look like they've never eaten in their lives and spent their whole
lives on a tanning bed. The leathery waif...[laughs] I'm not like that,
by any means. It's so funny. Maybe it's a New Zealand thing but I still
get so much guilt about saying I look better.
P:Celebrities, especially actors, seem very fond of claiming that success
hasn't changed them. But you don't even sound like the same person you
were two years ago!
L:I mean, I'm still so nervous of even discussing this because I'm
so scared that I'm going to wake up tomorrow and it will all be gone. I
know that I'm not experiencing any huge success or anything like that.
I feel like it's going good and it could keep going well. I think the main
thing that's changed is that, although I still get terrified, I think now,
maybe, I could make this my life. I'm putting 'actor' on my forms for immigration.
I always used to put 'unemployed' or 'student' or something and now I'm
writing 'actor'. I can say that I do this. I think it's what I was always
meant to do. And I just feel so lucky to be allowed to do it and it's made
me happy--happy with myself--and that's changed me.
P:The other cliché actors often insist upon is that being in
the movie industry isn't glamourous. But, here you are at 20, jet-setting
around the world, living in LA, earning lots of money, going out to dinnner
and getting drunk with people like Drew Barrymore and Anjelica Huston...Surely
you can't say your life isn't glamourous!
L:It's so funny because when you get picked up at three o'clock in
the morning to do a night shoot and it's horrible weather and you've got
to make out with some guy you don't even know, it's not glamourous! The
work isn't glamourius but the life is. I mean, I'm not living any movie
star life but, like, the other night, Natasha Lyonne, Claire Duvall [also
in But I'm a Cheerleader] and me got front row tickets to a KISS concert.
And to treat ourselves, we hired a limo [laughs]. It sounds so terrible
and decadent but we spent the night like three young actresses, roaming
around LA in this limo, saying 'Take us here and take us there.'
P:Acting the lifestyle...
L:Yeah, completely. And I thought then: 'It is kind of glamourous.'
Even though we were just playing, it was fun. Nobody had a clue who any
of us were but it was something fun and girly and glamourous!
P:Something which really struck me when I was going through the EVER
AFTER press kit was how visually similar you and Drew look in the film.
L:Everyone says that. It's so funny.
P:What's it like to be compared to this woman who men and women go
crazy over?
L:Well, I mean, obviously it's amazing! [laughs] It's such a huge
compliment. I don't know... I can't see it myself. Drew, it's like she's
got this light inside of her, which I think is why people love her so much
and are so drawn to her. And it's so bright inside her that I think: 'Oh
my God! I can't compare myself to Drew!' Because, honestly, she's like
she's from another world or something. We've both got chubby faces and
long chins...She'd love it if she read that!
P:On the subject of Drew, there's been a rumour circulating back here
that the two of you had a torrid affair while you were making Ever After...
L:[Laughs] That's not true! I was going out with her production assistant!
[laughs] She's got a boyfriend who she's been with for years. Oh, I wonder
where that got started? We're pretty close, though, Drew and I. She's pretty
touchy-feely; she's a huggy girl. But that's cool. We weren't making out
in each other's trailers or anything! I wouldn't mind! [laughs] I'm selling
that one to Woman's Day. It's an exclusive, I'm afraid [laughs].
P:Keeping that rumour in mind, and considering that But I'm a Cheerleader
will be your second lesbian role, do you think that you might replace Lucy
Lawless as New Zealand's new lesbian icon?
L:Oh God! [laughs] I think I already am! But I think Cheerleader is
definitely going to contribute to that.
P:Okay, despite the fact that we can't all fantasise about you and
Drew together now, it must have been pretty wild to be getting drunk with
people like Drew and Anjelica, whom you must have previously considered
these movie icons far removed from your own reality...
L:At first, it was terrifying. Drew was cool. I mean, for a long time,
it was just me and her cast in the movie, so we had lots of correspondence.
She said how excited she was to be working with me and I said it back.
So we kind of broke the ice and she's my age and she's very easy-going.
But the first time I met Anjelica, we were having makeup tests and she
came in in this big white robe [laughs]. And her hair was all swept up
and she's got that amazing, gorgeous face. And I was like 'Oh my God! Oh
my God! What do I say?' And she came over to me and said [mimics American
accent]: 'I think you're a marvellous actress and I loved Heavenly Creatures'.
And from then on it just got cool. There were moments when we were sitting
around drunk, doing some ridiculous thing, or crying or something, and
I'd go: 'Oh my God. It's Anjelica Huston!' Or: 'It's Drew Barrymore!'"
P:So they always made you feel part of that lifestyle?
L:It's weird because we were in France and we were sort of shut away
from everything and we had a normal kind of social life. Then when I came
back to LA, the times I've gone out to dinner with Anjelica here are weird
because she's got a defence--and Drew has, as well--just to shut off from
the fact that people are openly staring or following her around. It's terrifying
to me. I went into a bar one night with Drew and we were in this little
curtained booth, for celebrities or something, and someone came in and
pulled back the curtain and started taking pictures of her. People were
sliding bits of paper under the curtain all night, saying 'Can I have your
autograph?' She was bugged all night and yet she's so sweet and so gracious
about it. I was just thinking: 'How can she live that way?' She's so famous,
it's crazy. I mean, it's even weirder for Kate, I think, because the British
press are so unbelieveably cruel and invasive.
P:Although you want to be a successful actress, does an experience
like that make you question whether it's worth aspiring to be in that league
of fame?
L:Yeah! I mean, the only benefit of fame I guess I can see is that
you get the first choice of all the best movies. Everything that I audition
for, Drew's been offered, Kate's been offered...And I've really got to
work to get them.
P:Are you working towards any grand plan, then?
L:I will win two Oscars in the next year! That's my plan [laughs].
Best Supporting and Best Actress in the same year! No, I just want to keep
doing it. I mean, my agents have a plan, which is a bit scary to me. They
don't want to sit me down because they know what I'm like. They know I'd
panic. But, occasionally, they slip up and say, 'Well, the next film has
to be a lead.' And I'm like, 'Why? How do you know that? What do you mean?'
I'm too scared to make plans because who knows what's going to happen.
I just want to keep working, to keep doing cool things. I'm just so happy
with where I am. I mean, I'm going into meetings and people are respecting
me and saying things like: 'Oh, I love your work.' And I think: 'Oh God!
I actually have a body of work!' I feel like that's an achievement. Like,
this is my dream come true. Obviously, it would be nice to get statues
and houses and whatever else. But I imagined my life would be doing plays
and doing a movie, if I was lucky. And now, it's just incredible!
Return to MelanieLynskey.net
Melanie Lynskey Interview Part I - Transcript
MEL: How I got started on this project was, I got an invitation in the mail from Mark Kines.
BILL: Through the mail?
MEL: Mm-hmm. Through the - in the mail. Don't be insolent. And um... He - yeah. So he was basically saying "Would you like to be in my movie." He found me on the Internet, apparently. One of my Web pages. And, um, I said "Send me the script and I'll see" and I liked it a lot so I said "Okay" even though he only had forty thousand dollars.
[Note from Mark: I was, in fact, going to shoot this film originally for $40,000. The price tag went up considerably in May 1997.]
Melanie Lynskey Interview Part II - Transcript
MEL: I liked a lot of things about it. I liked the way it was written. He [Mark] has a very real sense of dialogue, which is nice. And she was an - she was an interesting character. (Smirk.)
Wil and Mel Wrap Things Up - Transcript
WIL: It's been a wonderful experience. A wonderful crew. Mark's been a wonderful director. Uh... Melanie's terrific. She won't tell you how terrific she is, but I will. She's wonderful.
MEL: He's terrific.
WIL: ...Great actor...
MEL: He's great.
WIL: ...Very pretty...
MEL: He's pretty.
WIL: So we're having a good time here.
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Fairytale
Ending to Actor's Long Search for Work
By Brendan Cole
NY Daily News, Wednesday, August 27, 1997 - Copyright 1997
The career of actor Melanie Lynskey has taken a fairytale turn.
The 20-year-old New Plymouth woman will star alongside Hollywood luminary
Drew Barrymore -- who plays the title role in the 20th Century Fox film
Cinderella.
It has been three years since Lynskey starred in Peter Jackson's award-winning
film Heavenly Creatures in which she played Pauline Parker, a wallflower
whose obsessive friendship with Juliet Hulme (Kate Winslet) led the pair
to bludgeon Parker's mother to death.
Lynskey then travelled to Los Angeles last year to audition for further
film roles but was unsuccessful.
However, on her return visit in June, before she began her part in a
forthcoming film called Foreign Correspondents, she tried for the part
of Jacqueline de Ghent -- Cinderella's ugly sister.
"The audition was great, they were very enthusiastic -- usually an audition
is terrifying because you only have a few minutes to put everything into
it. You really feel the pressure, but this was just really fun," she said.
And it was her agent who told her the good news.
"I was just amazed. Whenever I am waiting to hear from someone, I am
used to my agent saying 'they loved you but the other person was more famous,
or something like that. My agent has always been honest.
"But halfway through the conversation she said: 'Oh that's right, you
got the part', I was like 'are you sure?'."
Lynskey said learning how to overcome audition nerves was one of the
reasons behind her success and she attributed part of her new- found confidence
to advice from top New Zealand director Gaylene Preston.
"In Hollywood auditions, no matter what sort of character you play,
they like you to be totally confident as if the part is yours. This time
I really got the confidence to go in there and feel good about myself."
After narrowly missing out on a part in the film The Crucible, Lynskey
returned to New Zealand last year to ponder her future and deal with constant
questioning about what and when her next film would be. While Lynskey toiled
away in audition after audition, Heavenly Creatures co-star Kate Winslet
experienced a meteoric rise to fame.
"People are eager to draw comparisons between us, but we are two completely
different actresses who will always be doing different things. She does
wonderful work. People in the industry understand how hard it is to get
work, but a lot of people expected that if you do one movie, then you just
do more. I felt that a lot of people thought there was something wrong
with me."
Lynskey will not reveal too much about Cinderella, except that it is
a "different" version of the age-old fairytale. Today she flies to London
for costume fitting and then will spend time with her co-star Drew Barrymore
before rehearsals start on Monday.
And from being a Victoria University student used to living in draughty
flats, she is looking forward to working on a set in the sunny south of
France with some of Hollywood's greatest stars.
"My agents are so excited about the future and I'm a bit scared to walk
towards it because I have not worked in four years. It has not sunk in
yet."
Return to MelanieLynskey.net
Peter Jackson (PJ)
and Fran Walsh (FW) on the discovery of Melanie Lynskey:
(...)
Q: I know you found Kate Winslet at an audition in England. How did
you come across Melanie Lynskey, who played Pauline? I understand she was
not a professional actress.
PJ: Well, it's one of those stories that sounds like it's not true.
We wanted to cast someone in New Zealand, and we'd auditioned a lot of
people, five or six hundred, who were either videotaped or photographed.
I wanted to find someone who was young, around 15 or 16 years old; I didn't
want a 23-year-old in a school uniform. And we wanted someone who was physically
very much like the original Pauline; I have a thing about being as accurate
as possible. So we quickly exhausted the professional actors in New Zealand
who happened to look like Pauline, there's only about one or two. [laughs]
We knew we were looking for someone with no experience, but we just had
to find them. We kept saying, "Somewhere in New Zealand there's somebody
who's perfect for this role." We were actually about four weeks away from
beginning shooting, and we had one or two people on the short list, neither
of whom we were happy with, but we were coming under enormous pressure
to cast one of them, because, you know, the wardrobe department needed
to make costumes, and so on, and Fran said to me, "You're not really happy
with the choices, are you?" And I said, "No." And she said, "This is crazy;
we've spent all this time and energy on this film and we haven't found
Pauline. This is something close to a major tragedy." I was in Christchurch,
so Fran decided to drive with a casting person around the lower half of
the North Island of New Zealand; she was prepared to drive as far as she
had to. They'd visit every small town, go to the local school, visit the
principal's office and show a photo of Pauline Parker. She'd say, "We're
making a movie about Pauline Parker; do you have any pupils in your school
who resemble her who might be interested in this?"
FW: We were in a rusting Ford Cortina, and we had no official I.D. We'd
roll up to these provincial schools, and we'd be greeted by some curious
teacher. Although no one ever once questioned our authenticity, we would
always get asked about the car: "If you're in films, why aren't you driving
a Porsche?" [both laugh] So then I would pitch the story to the entire
classroom, scanning the room the whole time, looking for sullen, brooding
school girls, all the while thinking, "What would she look like with her
hair dyed black?"
PJ: I guess that went on for about a week. Every night I'd get a call
from Fran. Anyone that was vaguely appropriate was videotaped, and I got
a couple of tapes in Christchurch, and it was a bit depressing. Finally,
Fran called from a small town called New Plymouth, and said, "I think I've
found someone very interesting. ' And this was Mel. We flew her down to
Christchurch and gave her an audition and a screen test, and we cast her
two weeks before the film started shooting. I called her mother up on a
Friday night and said, "I'd really like Melanie to do the film." And she
said, "When does she have to start?" And I said, "Well, she's got to come
down here on Sunday." The poor girl didn't even get a chance to go back
to school to clean out her locker.
Q: Do you think there was any correspondence between the two actresses
and their backgrounds and those of the characters they were playing?
PJ: One of the things that we knew about Pauline was that she was incredibly
witty and intelligent, and Melanie was very similar; she was the top student
in her province in many subjects. And we knew if we cast an intelligent
person, then they were going to hit it. Melanie's also very enigmatic.
The character of Pauline doesn't have an enormous amount of dialogue. In
a sense, the real Pauline Parker speaks for her, through the diaries. So
what we were looking for was an actress who has that kind of aspect to
her that's a real movie-star thing: where you can film somebody sitting
in a room, doing nothing, and they're still fascinating to watch. We found
that in Mel.
(...)